| Abstract Page | 第8页 |
| Introduction | 第9-18页 |
| Chapter Ⅰ Defining Postmodernism | 第18-28页 |
| Section 1 Postmodern Ways of Thinking | 第18-23页 |
| Section 2 Postmodern Literary Phenomena | 第23-28页 |
| Chapter Ⅱ Tom Stoppard,the Prince of Parodic Letters | 第28-56页 |
| Section 1 Enigma of Originality | 第28-32页 |
| Section 2 Intertextuality-Trademark of Postmodernism | 第32-40页 |
| Section 3 Rosencrantz and Guildenstern Are Dead-A Deconstructive Supplement to Hamlet | 第40-56页 |
| Chapter Ⅲ Postmodern Collage in Travesties and Jumpers | 第56-91页 |
| Section 1 Collage-The Prominent Form of Postmodern Arts and Literature | 第56-63页 |
| Section 2 Collage of Historical Figures and Their Ideas in Travesties | 第63-77页 |
| Section 3 Collage of Perspectives in Jumpers | 第77-91页 |
| Chapter Ⅳ Stoppard's Paradox Involved in Playing with Seriousness | 第91-105页 |
| Conclusion Stoppard's Reality | 第105-110页 |
| Bibliogrophy | 第110-112页 |
