| 摘要 | 第1-6页 |
| Abstract | 第6-11页 |
| Chapter One Introduction | 第11-15页 |
| ·Background of the Study | 第11-13页 |
| ·Purpose and Significance of the Study | 第13-14页 |
| ·Organization of This Thesis | 第14-15页 |
| Chapter Two Literature Review | 第15-20页 |
| ·Previous Studies at Home | 第15-17页 |
| ·Previous Studies Abroad | 第17-20页 |
| Chapter Three Theoretical Framework | 第20-30页 |
| ·Conceptual Metaphor Theory and Its Three Types | 第20-26页 |
| ·Structural Metaphor | 第22-24页 |
| ·Orientational Metaphor | 第24-25页 |
| ·Ontological Metaphor | 第25-26页 |
| ·Theories on Translation of Metaphor and Poetry | 第26-29页 |
| ·Newmark's Views on Metaphor Translation | 第26-28页 |
| ·Xu Yuanchong's "Three-beauty" Theory | 第28-29页 |
| ·Summary | 第29-30页 |
| Chapter Four Metaphor in Tang Poetry | 第30-48页 |
| ·Origin of Metaphor | 第30-31页 |
| ·Identifications of Metaphors in Tang Poetry | 第31-33页 |
| ·Sources of Metaphor in Tang Poetry | 第33-38页 |
| ·Analysis of Metaphor in Tang Poetry | 第38-48页 |
| ·Orientational Metaphor in Tang Poetry | 第38-42页 |
| ·Structural Metaphor in Tang Poetry | 第42-45页 |
| ·Ontological Metaphor in Tang Poetry | 第45-48页 |
| Chapter Five Strategies for Translating Metaphors in Tang Poetry | 第48-64页 |
| ·Retaining the Original Metaphor | 第48-52页 |
| ·Converting the Original Metaphor | 第52-55页 |
| ·Paraphrasing the Original Metaphor | 第55-58页 |
| ·Combination of Retaining the Original Metaphor and Using Annotation.48 | 第58-64页 |
| Chapter Six Conclusion | 第64-66页 |
| ·Summary and Major Findings | 第64-65页 |
| ·Limitations and Recommendations for Future Research | 第65-66页 |
| Works Cited | 第66-69页 |
| Acknowledgements | 第69-70页 |
| 个人简介 | 第70-71页 |
