| 摘要 | 第1-6页 |
| ABSTRACT | 第6-7页 |
| ACKNOWLEDGEMENT | 第7-10页 |
| Chapter One INTRODUCTION | 第10-13页 |
| ·BACKGROUND AND SIGNIFICANCE OF THE RESEARCH | 第10-11页 |
| ·Background of the Research | 第10页 |
| ·Significance of the Research | 第10-11页 |
| ·ORGANIZATION OF THE THESIS | 第11-13页 |
| Chapter Two THEORETICAL BASIS RELATIVE TO THE PRESENT STUDY | 第13-27页 |
| ·LANGUAGE, MIND AND TRANSLATION | 第13-14页 |
| ·BRIEF INTRODUCTION OF COGNITIVE LINGUISTICS | 第14-17页 |
| ·Emergence of Cognitive Linguistics | 第14-15页 |
| ·Features of Cognitive Linguistics | 第15-16页 |
| ·Basic Contents of Cognitive Linguistics | 第16-17页 |
| ·FIGURE-GROUND THEORY | 第17-27页 |
| ·Basic Concepts | 第17-20页 |
| ·The Influence of Figure-Ground Theory on Understanding of Language | 第20页 |
| ·Linguistic Application of Figure-Ground Theory | 第20-27页 |
| ·Prepositional Analysis | 第20-22页 |
| ·Application of Figure-Ground in Description of Clause Patterns | 第22-24页 |
| ·Other Applications of Figure-Ground Theory | 第24-27页 |
| Chapter Three ON TRANSLATION OF CLASSICAL CHINESE POETRY (CCP) | 第27-40页 |
| ·AN OVERVIEW OF CCP TRANSLATION | 第27-30页 |
| ·Leading Translators and Publications | 第27-28页 |
| ·Traditional Translating Strategies | 第28-30页 |
| ·Brief Introduction | 第28-29页 |
| ·Limitations | 第29-30页 |
| ·GENERAL FEATURES OF CCP | 第30-33页 |
| ·Pithiness and Flexibility in Language | 第30-31页 |
| ·Images as the Basic Tools | 第31-32页 |
| ·Diversity in Interpretation | 第32-33页 |
| ·DIFFICULTIES IN TRANSLATION OF CCP | 第33-40页 |
| ·Convey of Meaning and Expression of Artistic Conception | 第34-36页 |
| ·Form | 第36-38页 |
| ·Sound | 第38-40页 |
| Chapter Four APPLICATION OF FIGURE-GROUND THEORY IN TRANSLATING CCP | 第40-56页 |
| ·INTERPRETATION OF CCP FROM FIGURE-GROUND PERSPECTIVE | 第40-44页 |
| ·CCP: Reflection of the Poets’Cognition | 第40-41页 |
| ·Analysis of Figure and Ground in CCP | 第41-44页 |
| ·Summary of Analysis | 第44页 |
| ·TRANSLATION OF CCP FROM FIGURE-GROUND PERSPECTIVE | 第44-56页 |
| ·A New Approach to Express Artistic Conception | 第45-49页 |
| ·A New Way to Decide the Syntactic Structure | 第49-52页 |
| ·About the Cultural Connotations | 第52-56页 |
| ·Cultural Connotations of Prominent Images | 第52-54页 |
| ·Cultural Connotations of Less Prominent Images | 第54-56页 |
| Chapter Five CONCLUSION | 第56-58页 |
| ·MAJOR FINDINGS | 第56-57页 |
| ·LIMITATIONS AND SUGGESTIONS FOR FURTHER STUDY | 第57-58页 |
| Bibliography | 第58-60页 |
