| Abstract | 第1-8页 |
| 摘要 | 第8-10页 |
| Chapter One Introduction | 第10-14页 |
| ·Research Background | 第10-12页 |
| ·Research Significance | 第12页 |
| ·Thesis Structure | 第12-14页 |
| Chapter Two Literature Review | 第14-25页 |
| ·Studies on the Notion of “Poetics ” | 第14-15页 |
| ·Studies on “Poetics and Translation Studies ” | 第15-16页 |
| ·Studies on Defamiliarization in Literature | 第16-18页 |
| ·Studies on Defamiliarization in Translation | 第18-23页 |
| ·Studies on Defamiliarization in Translation Abroad | 第18-21页 |
| ·Studies on Defamiliarization in Translation at Home | 第21-23页 |
| ·Studies on Translations of Lolita | 第23-25页 |
| Chapter Three Theoretical Framework | 第25-32页 |
| ·Defamiliarization vs. Automatization | 第25-27页 |
| ·Henri Meschonnic s Poetics of Translation Theory | 第27-32页 |
| ·Henri Meschonnic 's “Thirty-Six Propositions” | 第27-28页 |
| ·Henri Meschonnic' s New Concept of “Rhythm” | 第28-32页 |
| Chapter Four Research Design | 第32-35页 |
| ·Research Questions | 第32页 |
| ·Research Methods and Data Collection | 第32-35页 |
| ·Research Methods | 第32-33页 |
| ·Data Collection | 第33-35页 |
| Chapter Five Representation of the Defamiliarization Devices in the Chinese Versions of Lolita | 第35-61页 |
| ·Representation of Various Language Games | 第35-50页 |
| ·Representation of Multilingualism | 第36-40页 |
| ·Representation of Wordy Expressions | 第40-46页 |
| ·Representation of New Coinages | 第46-48页 |
| ·Representation of the ‘collage’ (the Blend of Various Literary Forms) | 第48-50页 |
| ·Representation of Diversified Narrative Techniques | 第50-61页 |
| ·Representation of the Narrative Point of View | 第50-55页 |
| ·Representation of the Narrative Time | 第55-61页 |
| Chapter Six Conclusion | 第61-63页 |
| ·Major Findings | 第61-62页 |
| ·Limitations | 第62页 |
| ·Suggestions | 第62-63页 |
| Bibliography | 第63-68页 |
| Acknowledgements | 第68页 |
