| 声明 | 第1页 |
| 学位论文使用授权声明 | 第3-4页 |
| Acknowledgements | 第4-5页 |
| Chinese Abstract | 第5-6页 |
| English Abstract | 第6-9页 |
| Chapter 1 Introduction | 第9-13页 |
| ·The history of interpretation studies | 第9-10页 |
| ·The purpose of the thesis | 第10-12页 |
| ·Organization of the thesis | 第12-13页 |
| Chapter 2 Literature Review | 第13-18页 |
| ·General review of public speaking practices in interpretation studies | 第13-14页 |
| ·Production stage in different models of interpretation process | 第14-18页 |
| ·Seleskovitch’s model | 第15-16页 |
| ·Colonomos’s model | 第16-17页 |
| ·Cokely’s model | 第17-18页 |
| Chapter 3 The Role of Interpreters | 第18-22页 |
| ·Role description | 第18-19页 |
| ·Gile’s analysis of the role of interpreters | 第19-21页 |
| ·Interpreter as a speech producer | 第19-20页 |
| ·Interpreter as a listener | 第20-21页 |
| ·The similar role public speaker and interpreter play as a communicator | 第21-22页 |
| Chapter 4 Communication Process | 第22-31页 |
| ·‘Paris School’and its communication theory | 第22页 |
| ·The Communication process of public speaking | 第22-27页 |
| ·Two models of communication process of interpretation | 第27-31页 |
| ·Communication process of interpretation by Liu Miqing | 第28-29页 |
| ·Communication process of interpretation by Ingram | 第29-31页 |
| Chapter 5 Public Speaking Strategies in Interpretation Production | 第31-48页 |
| ·Classification of speeches concerning interpretation | 第31-33页 |
| ·Several public speaking strategies in interpretation production | 第33-46页 |
| ·Language strategies. | 第33-35页 |
| ·Listening strategies | 第35-41页 |
| ·Verbal strategies | 第41-44页 |
| ·Nonverbal strategies | 第44-46页 |
| ·“Four beauties”criterion in interpretation production as suggested by public speaking | 第46-48页 |
| Chapter 6 Some New Perspectives of Interpretation Training | 第48-57页 |
| ·A review of interpretation teaching | 第48-49页 |
| ·The problems of nowadays interpretation training | 第49-50页 |
| ·The psychological approach in interpretation training inspired by public speaking | 第50-57页 |
| ·Stage fright and its reasons | 第50-51页 |
| ·Realizing the value of stage fright | 第51-52页 |
| ·The psychology of audience and the ways to adapt to them | 第52-57页 |
| Chapter 7 Conclusion | 第57-59页 |
| Bibliography | 第59-63页 |
| Appendixes Interviews | 第63-66页 |
| 1. An interview with Chen Hen | 第63-65页 |
| 2. An Interview with Wang Yuan | 第65-66页 |
| 3. An Interview with Zhang Shunyuan | 第66页 |
