| 摘要 | 第1-5页 |
| Abstract | 第5-7页 |
| Acknowledgements | 第7-10页 |
| Introduction | 第10-15页 |
| ·Research Background and Significance | 第10页 |
| ·The Present Research Situation:Home and Abroad | 第10-13页 |
| ·Thesis Structure | 第13-14页 |
| ·Thesis Theory and Methodology | 第14-15页 |
| Chapter One Defining Film Adaptation as Translation | 第15-26页 |
| ·Defining Film Adaptation | 第15-20页 |
| ·Models of Film Adaptation | 第15-19页 |
| ·Adjustment | 第16-18页 |
| ·Neoclassic Imitation | 第18-19页 |
| ·Revision | 第19页 |
| ·Colonization | 第19页 |
| ·Significance of Film Adaptation | 第19-20页 |
| ·The Common Ground of Film Adaptation Studies and Translation Studies | 第20-26页 |
| ·Origin | 第20-22页 |
| ·The "Cultural Turn" in Translation Studies | 第20-21页 |
| ·The "Sociological Turn" in Film Adaptation Studies | 第21-22页 |
| ·Three Common Topics | 第22-24页 |
| ·Fidelity | 第22-23页 |
| ·Originality | 第23-24页 |
| ·Status | 第24页 |
| ·Nature of Film Adaptations and Translation | 第24-26页 |
| ·Collaborative Art | 第24-25页 |
| ·Rewriting of the Original Text | 第25-26页 |
| Chapter Two Alice Sebold's The Lovely Bones and Peter Jackson's FilmAdaptation | 第26-33页 |
| ·A Brief Introduction to The Lovely Bones by Alice Sebold | 第26-29页 |
| ·The Author | 第26-28页 |
| ·The Contents | 第28-29页 |
| ·The Publishing Environment | 第29页 |
| ·A Brief Introduction to the Film Adaptation by Peter Jackson | 第29-31页 |
| ·The Director | 第30页 |
| ·The Contents | 第30-31页 |
| ·The Release Environment | 第31页 |
| ·Disputes Centering on the Film Adaptation | 第31-33页 |
| Chapter Three A Case Study of Peter Jackson's Film Adaptation of AliceSebold's The Lovely Bones | 第33-56页 |
| ·Adjustments in Peter Jackson's Film Adaptation | 第33-42页 |
| ·Compression of the Rape and Murder Scene | 第33-37页 |
| ·Correction from the Small Heaven to the "In-between" | 第37-40页 |
| ·Superimposition of the Classic Fantasy Films | 第40-42页 |
| ·Revisions in Peter Jackson's Film Adaptation | 第42-48页 |
| ·Mother's Weakened Identity | 第42-46页 |
| ·Different Attitudes towards the Murderer | 第46-48页 |
| ·Factors That Give Rise to the Rewritings in the Film Adaptation | 第48-56页 |
| ·Ideology | 第49-53页 |
| ·Patronage | 第53-54页 |
| ·Poetics | 第54-56页 |
| Conclusion | 第56-57页 |
| Works Cited | 第57-63页 |
| Appendix:Filmography | 第63-65页 |
