摘要 | 第1-6页 |
Abstract | 第6-11页 |
Chapter One Introduction | 第11-13页 |
·Research Background | 第11页 |
·Objectives of the Study | 第11-12页 |
·Methodology of the Study | 第12页 |
·Structure of the Thesis | 第12-13页 |
Chapter Two Literature Review: Drama Stylistics | 第13-19页 |
·Introduction | 第13页 |
·The Pre-stylisitc Period | 第13-14页 |
·The Literary Critical Approach | 第13-14页 |
·The Rhetorical-poetic Approach | 第14页 |
·The Early Stylistic Period: The Poetic-fictional Approach | 第14-15页 |
·The Current Stylistic Period | 第15-18页 |
·The Study of Dialogues | 第15-16页 |
·Study Abroad | 第15页 |
·Study in China | 第15-16页 |
·The Study of Stage Directions | 第16-18页 |
·Feng`s Research | 第17页 |
·Li`s Research | 第17-18页 |
·Summary | 第18-19页 |
Chapter Three Theoretical Preliminaries and Assumptions | 第19-29页 |
·Status of Stage Directions and Dialogues | 第19-20页 |
·What a Pragmastylistic Study Concerns? | 第20-21页 |
·Triangle Constructions of Drama | 第21-24页 |
·Classification of Stage Directions | 第24-29页 |
Chapter Four A Pragmastylistic Study on the Relationship between Stage Directions and Dialogues | 第29-60页 |
·Introduction | 第29页 |
·Relationship between Stage Descriptions and Dialogues | 第29-39页 |
·Analysis of the Relationship between CSD and Dialogues | 第30-37页 |
·Analysis of the Relationship between ESD and Dialogues | 第37-39页 |
·Relationship between Performances Directions and Dialogues | 第39-58页 |
·Analysis of the Relationship between CPD and Dialogues | 第39-51页 |
·Analysis of the Relationship between EPD and Dialogues | 第51-58页 |
·Summary | 第58-60页 |
Chapter Five Conclusion | 第60-63页 |
·Summary of the Study | 第60-61页 |
·Significance of the Study | 第61页 |
·Limitations of the Study and Suggestions for Further Exploitation | 第61-63页 |
Acknowledgements | 第63-64页 |
Bibliography | 第64-67页 |
Appendix | 第67页 |