| 摘要 | 第1-6页 |
| Abstract | 第6-8页 |
| Contents | 第8-10页 |
| Chapter One Introduction | 第10-15页 |
| ·The Introduction to Toni Morrison and Song of Solomon | 第10-11页 |
| ·The Purpose and Significance of This Study | 第11-13页 |
| ·The Purpose of This Study | 第11-12页 |
| ·The Significance of This Study | 第12-13页 |
| ·The Organization of the Dissertation | 第13-15页 |
| Chapter Two Literature Review on Song of Solomon | 第15-18页 |
| ·Studies Abroad | 第15-16页 |
| ·Studies Home | 第16-18页 |
| Chapter Three Magic Realism in Latin America | 第18-26页 |
| ·The Origin and Development of Magic Realism | 第18-21页 |
| ·Main Ideas of Magic Realism in Latin America | 第21-26页 |
| ·The Artistic Principles of Magic Realism | 第21-23页 |
| ·Characteristics of Magic Realism | 第23-26页 |
| Chapter Four Embodiment of Magic Realism in Song of Solomon | 第26-48页 |
| ·Introduction | 第26-28页 |
| ·Magic Themes in Song of Solomon | 第28-36页 |
| ·Miraculous Flight | 第29-33页 |
| ·Smith’s Flight | 第30-31页 |
| ·Milkman’s Flight | 第31-32页 |
| ·Solomon’s Flight | 第32-33页 |
| ·Dim Boundary between the Living and the Death / the Past and the Present | 第33-34页 |
| ·Dim Boundary between the Living and the Death | 第33-34页 |
| ·Dim Boundary between the Past and the Present | 第34页 |
| ·Mingling of Dreams and Reality | 第34-36页 |
| ·Magic Characters in Song of Solomon | 第36-39页 |
| ·Pilate | 第36-38页 |
| ·Reba | 第38页 |
| ·Circe | 第38-39页 |
| ·Magic Techniques in Song of Solomon | 第39-48页 |
| ·The Allusions of Mythic Archetypes from Different Cultures | 第39-41页 |
| ·Archetypes of Western Myths | 第39-40页 |
| ·Archetypes of African Folklores | 第40-41页 |
| ·The Universally Adopted Symbolism | 第41-48页 |
| ·Water | 第42-44页 |
| ·Bird | 第44-45页 |
| ·Lincoln’s Heaven | 第45-48页 |
| Chapter Five Conclusion | 第48-51页 |
| ·A Summary of the Dissertation | 第48-50页 |
| ·Limitations of the Present Study and Directions for the Future Study | 第50-51页 |
| Acknowledgements | 第51-52页 |
| Bibliography | 第52-55页 |
| Appendix Ⅰ Character List of Song of Solomon | 第55-59页 |
| Appendix Ⅱ | 第59页 |
