| Acknowledgements | 第1-7页 |
| Abstract | 第7-9页 |
| 内容摘要 | 第9-11页 |
| Chapter One Introduction | 第11-15页 |
| ·Background of the Study | 第11-12页 |
| ·Objectives of the Study | 第12-13页 |
| ·Significance of the Study | 第13页 |
| ·Data Description and Collection | 第13页 |
| ·Layout of the Thesis | 第13-15页 |
| Chapter Two Literature Review | 第15-25页 |
| ·Previous Studies on Pragmastylistics | 第15-17页 |
| ·Origin and Development of Pragmastylistics | 第15-17页 |
| ·Pragmastylistic Analysis on Traditional Literary Forms | 第17页 |
| ·Previous Studies on Contextualization | 第17-20页 |
| ·Origin and Development of Contextualization | 第17-19页 |
| ·Application of Gumperz's Contextualization Theory on Discourses | 第19-20页 |
| ·Previous Studies on Movie Scripts | 第20-23页 |
| ·Definition of Movie Scripts | 第20页 |
| ·The Style of Movie Scripts | 第20-23页 |
| ·Narration | 第21-22页 |
| ·Dialogue | 第22页 |
| ·Aside and Monologue | 第22-23页 |
| ·Pragmastylistic Analysis on Movie Scripts | 第23页 |
| ·Summary | 第23-25页 |
| Chapter Three Theoretical Foundation | 第25-39页 |
| ·Pragmastylistics | 第25-33页 |
| ·Major theories of Pragmatics | 第26-32页 |
| ·Speech Act Theory | 第26-28页 |
| ·The Cooperative Principle | 第28-30页 |
| ·The Politeness Principle | 第30-31页 |
| ·Other Pragmatic Theories and Factors | 第31-32页 |
| ·The Concerns of Stylistics | 第32-33页 |
| ·Pragmastylistics as an Interdisciplinary Approach | 第33页 |
| ·Contextualization | 第33-36页 |
| ·Contextualization Cues | 第34-35页 |
| ·The Inferential Process of Contextualization Cues | 第35-36页 |
| ·Summary: A Contextualized Pragmastylistic Approach to Interpersonal Relationships of Movie Scripts | 第36-39页 |
| Chapter Four A Contextualized Pragmastylistic Approach to Interpersonal Relationships in the Movie Script of Forrest Gump | 第39-63页 |
| ·A Brief Introduction of the Movie Script of Forrest Gump | 第39-40页 |
| ·A Contextualized Pragmastylistic Approach to Interpersonal Relationships in the movie script of Forrest Gump | 第40-61页 |
| ·Division of Interpersonal Relationships | 第40-41页 |
| ·Interpersonal Relationships Reflected in Narration | 第41-47页 |
| ·Relationship between the Screenwriter and the Intended Readers | 第42-45页 |
| ·Relationship between the Screenwriter and the Intended Audience | 第45-47页 |
| ·Interpersonal Relationships Reflected in Dialogue | 第47-59页 |
| ·Relationship between Characters | 第47-56页 |
| ·Relationship between the Screenwriter and the Intended Readers | 第56-57页 |
| ·Relationship between the Screenwriter and the Intended Audience | 第57-59页 |
| ·Interpersonal Relationships Reflected in Aside and Monologue | 第59-61页 |
| ·Relationship between the screenwriter and the Intended Readers | 第60页 |
| ·Relationship between the Screenwriter and the Intended Audience | 第60-61页 |
| ·Summary | 第61-63页 |
| Chapter Five Conclusion | 第63-66页 |
| ·Summary of Major Findings | 第63-64页 |
| ·Implications of the Research | 第64-65页 |
| ·Limitations and Prospects | 第65-66页 |
| References | 第66-69页 |
