| ABSTRACT | 第1-6页 |
| 摘要 | 第6-10页 |
| Chapter One INTRODUCTION | 第10-13页 |
| ·Research Background and Purpose | 第10-11页 |
| ·Research Significance and Questions | 第11页 |
| ·Research Methodology | 第11页 |
| ·Organization of the Thesis | 第11-13页 |
| Chapter Two LITERATURE REVIEW | 第13-17页 |
| ·Foreign Studies:from Mono-modality to Multimodal Discourse Analysis | 第13-14页 |
| ·The studies on static objects | 第13页 |
| ·The studies on aural-modality | 第13-14页 |
| ·The studies on aural-visual modalities | 第14页 |
| ·Domestic Studies:from Introduction to Practices | 第14-17页 |
| ·The introduction of foreign theoretical foundation and methods | 第14-15页 |
| ·Studies on meaning construction and interactions among different modalities in film corpus | 第15-17页 |
| Chapter Three Theoretical Foundation | 第17-29页 |
| ·Systemic Functional Grammar | 第17页 |
| ·Visual Grammar | 第17-23页 |
| ·Aural Grammar | 第23-25页 |
| ·Relations among Different Modalities | 第25-29页 |
| Chapter Four Meaning Construction from the Interaction between Aural and Visual Modalities | 第29-61页 |
| ·The Reasons to Choose the Film Corpus Eat,Pray,Love | 第29-30页 |
| ·Data Selection and Analysis | 第30页 |
| ·Meaning Construction Analysis from the Interaction between Aural and Visual Modalities | 第30-61页 |
| ·Integration | 第31-35页 |
| ·Complementarity | 第35-47页 |
| ·Non-complementarity | 第47-58页 |
| ·Singularity | 第58-61页 |
| Chapter Five Conclusion | 第61-64页 |
| ·Major Findings | 第61-62页 |
| ·Limitations and Enlightenment for Further Research | 第62-64页 |
| REFERENCES | 第64-67页 |
| ACKNOWLEDGEMENTS | 第67页 |
