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概念整合理论视角下《野兽国》的多模态隐喻意义建构

Acknowledgements第4-5页
Abstract第5-6页
摘要第7-12页
Chapter One Introduction第12-18页
    1.1 Research Orientation第12-13页
    1.2 Research Rationale第13-15页
    1.3 Research Questions第15-16页
    1.4 Research Methodology第16-17页
    1.5 Layout of the Thesis第17-18页
Chapter Two Literature Review第18-30页
    2.1 Introduction第18页
    2.2 Multimodal Metaphor Research第18-23页
        2.2.1 Definition of Multimodal Metaphor第18-19页
        2.2.2 Origin of Multimodal Metaphor Research第19-20页
        2.2.3 Foreign and Domestic Studies第20-23页
    2.3 Picture Books Research第23-29页
        2.3.1 Guide to Picture Books第23-26页
        2.3.2 Previous Studies on Picture Books第26-29页
    2.4 Summary第29-30页
Chapter Three Theoretical Framework: Conceptual Blending Theory第30-37页
    3.1 Introduction第30页
    3.2 Network Model of Conceptual Blending Theory第30-35页
        3.2.1 Key Terms of Conceptual Blending Network第30-32页
        3.2.2 The Network Model of Conceptual Blending Theory第32-34页
        3.2.3 Four Types of Conceptual Blending Network第34-35页
    3.3 Explanatory Power of Conceptual Blending Theory第35页
    3.4 Summary第35-37页
Chapter Four Analysis of Where The Wild Things Are in Conceptual BlendingTheory第37-67页
    4.1 Introduction第37页
    4.2 Brief Description of Where The Wild Things Are第37-39页
    4.3 Analysis of Where The Wild Things Are in Conceptual Blending Theory第39-61页
        4.3.1 Characters: Max and Anger第39-47页
        4.3.2 Setting: Imagination and Reality第47-56页
        4.3.3 The plot: Journey through Anger第56-61页
    4.4 The Overall Meaning Construction of The Wild with CBT第61-64页
    4.5 Summary第64-67页
Chapter Five Conclusions第67-71页
    5.1 Major Findings第67-68页
    5.2 Conclusions第68-69页
    5.3 Implications第69-70页
    5.4 Limitations and Suggestions第70-71页
References第71-77页
Appendix第77-80页
攻读硕士学位期间科研成果第80页

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