| Acknowledgements | 第1-5页 |
| 摘要 | 第5-6页 |
| Abstract | 第6-9页 |
| Chapter One Introduction | 第9-13页 |
| Chapter Two Literature Review and Theoretical Framework | 第13-33页 |
| ·Semiotics on Culture and Cultural Semiotics Theories | 第13-28页 |
| ·Roland Barthes’ Semiotics Theory | 第13-20页 |
| ·Langue and Parole | 第14-15页 |
| ·The Signified and the Signifier | 第15-17页 |
| ·System and Combination | 第17-19页 |
| ·Denotation and Connotation | 第19-20页 |
| ·Roland Barthes’ Culture Semiotic Theory | 第20-22页 |
| ·Lotman’s Culture Semiotic Theory | 第22-28页 |
| ·Based on the Text | 第23-24页 |
| ·The Horizon of History | 第24-26页 |
| ·Communication is the Value Orientation | 第26-28页 |
| ·Self-presentation of Cultural Semiotics Theory on the translation aesthetics | 第28-33页 |
| Chapter Three Lin Yutang and his Moment in Peking | 第33-38页 |
| ·A Brief Introduction to Lin Yutang and His Works | 第33-35页 |
| ·About Moment in Peking | 第35-38页 |
| Chapter Four A Study on Moment in Peking | 第38-54页 |
| ·A Study on “Beauty in Sound” from Cultural Semiotics Theory | 第38-43页 |
| ·Address Terms | 第38-41页 |
| ·Food | 第41-42页 |
| ·Language Habits | 第42-43页 |
| ·A Study on “Beauty in Form” from Cultural Semiotics Theory | 第43-49页 |
| ·Weddings and Funerals | 第43-45页 |
| ·Poetry | 第45-49页 |
| ·A Study on “Beauty in Content” from Cultural Semiotics Theory | 第49-54页 |
| ·Idioms | 第49-50页 |
| ·the Taoism | 第50-54页 |
| Conclusion | 第54-59页 |
| ·Major Findings of This Study | 第54-57页 |
| ·Limitations of the Study | 第57页 |
| ·Suggestions for Future Study | 第57-59页 |
| Bibliography | 第59-60页 |
