| Acknowledgements | 第1-5页 |
| Abstract | 第5-7页 |
| 摘要 | 第7-11页 |
| Chapter One Introduction | 第11-15页 |
| ·Current Studies on the Translation of Film Titles | 第11-12页 |
| ·Good and Bad Translations | 第12-13页 |
| ·The Purpose, Focus, and Method of This Thesis | 第13-15页 |
| Chapter Two Language Features of Film Titles | 第15-20页 |
| ·Linguistic Feature | 第15页 |
| ·Aesthetic Feature | 第15-18页 |
| ·Cultural features | 第18-20页 |
| Chapter Three Functions of Film Titles | 第20-24页 |
| ·Graphological Function | 第21页 |
| ·Vocative Function | 第21-24页 |
| ·In Terms of Successful Films | 第22页 |
| ·In Terms of Successful Film Star | 第22-24页 |
| Chapter Four Reasons and Possibilities for Adaptation | 第24-30页 |
| ·What is Adaptation | 第24页 |
| ·Reasons for Adaptation from the Perspective of Culture | 第24-26页 |
| ·Reasons for Adaptation from the Perspective of Different Genres of Films | 第26-28页 |
| ·Science Fiction and Fantasy Film | 第27页 |
| ·Horror Film | 第27页 |
| ·Lyric Film | 第27-28页 |
| ·Methods of Adaptation Translation | 第28-30页 |
| ·Adaptation of Content | 第28-29页 |
| ·Adaptation of Style | 第29-30页 |
| Chapter Five Theoretical Analysis on Deconstruction and Adaptation | 第30-36页 |
| ·Incompetence of Eugene A. Nida’s Equivalence-oriented Approach | 第30-32页 |
| ·Main Points of Deconstruction Theory for Translation | 第32-35页 |
| ·Theoretical Analysis between Deconstruction and Translation of Film Titles | 第35-36页 |
| Chapter Six The E-C Film Title Translation Methods and Techniques | 第36-44页 |
| ·Transliteration | 第36-37页 |
| ·Literal Translation | 第37-38页 |
| ·Adaptation | 第38-40页 |
| ·Complete Adaptation | 第39页 |
| ·Combination of Literal Translation and Adaptation | 第39-40页 |
| ·Techniques of Adaptation | 第40-44页 |
| ·The Maxim of Conciseness | 第40页 |
| ·Chinese Four-character Expression | 第40页 |
| ·Quotation and Parody | 第40-42页 |
| ·The Classical Chinese | 第42页 |
| ·Foreignness Vs Repacking | 第42-44页 |
| Chapter Seven Conclusion | 第44-46页 |
| APPENDIX 历届奥斯卡获奖名单及提名中的改译实例 | 第46-53页 |
| Bibliography | 第53-55页 |
