| Acknowledgements | 第1-6页 |
| 摘要 | 第6-7页 |
| Abstract | 第7-11页 |
| 1. Introduction | 第11-12页 |
| 2. Literature Review | 第12-15页 |
| ·Previous study of Thomas Hardy's works | 第12-13页 |
| ·Relevant studies of Zhang Guruo's translations | 第13-15页 |
| 3. Zhang Guruo and His Translations | 第15-19页 |
| ·Zhang Guruo's life experiences | 第15-16页 |
| ·A brief introduction to Zhang Guruo's major translations | 第16页 |
| ·Zhang Guruo's transl ation thoughts | 第16-19页 |
| ·Idiomatic translation for idiomatic original text | 第16-17页 |
| ·Literary translation:both a science and an art | 第17-19页 |
| 4. Zhang Guruo's Choice of Hardy's Works | 第19-24页 |
| ·Thomas Hardy and his literary style | 第19-20页 |
| ·Culture background of the translation of Hardy's works | 第20-21页 |
| ·Factors that govern Zhang's selection of Hardy's works | 第21-24页 |
| ·The mainstream ideology | 第21-22页 |
| ·The translator's character and life experiences | 第22-24页 |
| 5. Stylistic Features of Zhang Guruo's Translation of Thomas Hardy's Works | 第24-41页 |
| ·The Representation of the local flavor | 第24-30页 |
| ·Dialect-for-Dialect translation | 第24-28页 |
| ·The representation of vulgarism | 第28-30页 |
| ·Idiomaticness of Zhang's translation of Hardy's works | 第30-34页 |
| ·Use of four-character phrases | 第30-33页 |
| ·Employment of reduplicated words | 第33-34页 |
| ·The Reproduction of artistic ideorealm | 第34-41页 |
| ·Fusion of scene and emotion | 第34-36页 |
| ·Recreation of implicature | 第36-38页 |
| ·Rebuilding of specific atmosphere as a whole | 第38-41页 |
| 6. Conclusion | 第41-42页 |
| Bibliography | 第42-43页 |
