| Acknowledgements | 第1-5页 |
| 摘要 | 第5-6页 |
| Abstract | 第6-9页 |
| Introduction | 第9-11页 |
| Chapter One Literature Review | 第11-18页 |
| ·Research Status of the English Version of Thunderstorm | 第11-12页 |
| ·Previous Researches in the field of Gestalt Psychology | 第12-14页 |
| ·Previous Researches on the Integration of Gestalt Psychology into Translation Studies | 第14-18页 |
| ·Previous Researches in the West | 第14-15页 |
| ·Previous Researches in China | 第15-18页 |
| Chapter Two Literary Features of Thunderstorm and Wang Zuoliang’s Version | 第18-26页 |
| ·A Brief Account of Cao Yu and Artistic Values of Thunderstorm | 第18-22页 |
| ·Cao Yu as a Dramatist | 第18-20页 |
| ·Thunderstorm as a Masterpiece in Theatrical Circles | 第20-22页 |
| ·Wang Zuoliang’s Version in Terms of Drama Translation | 第22-26页 |
| ·Characteristics of Drama Translation | 第22-23页 |
| ·An Overview of Wang Zuoliang’s English Version | 第23-26页 |
| Chapter Three The Application of Gestalt Image to Translating Thunderstorm | 第26-48页 |
| ·Gestalt Qualities of Image-G in Thunderstorm | 第26-30页 |
| ·The Atmosphere or Contour | 第28-29页 |
| ·The Mood or Tone | 第29-30页 |
| ·Progressive Phases of Image-G Actualization in Drama Translation Process | 第30-40页 |
| ·Gestalt Perception in Decoding Phase | 第32-33页 |
| ·Active Operations in Transference Phase | 第33-37页 |
| ·Image-G Reconstruction in Recoding Phase | 第37-40页 |
| ·Basic Modes of Image-G Actualization in the Translation of Thunderstorm | 第40-48页 |
| ·Reconstruction of the Personalities of Characters | 第41-44页 |
| ·Reconstruction of the Dramatic Conflicts | 第44-48页 |
| Chapter Four Harmony as the Crucial Principle of Image-G Actualization in the English Version of Thunderstorm | 第48-61页 |
| ·Linguistic Level | 第48-52页 |
| ·Syntactic Compensation | 第48-50页 |
| ·Semantic Integrity | 第50-52页 |
| ·Aesthetic Level | 第52-61页 |
| ·Translator’s Manipulation of Parts | 第53-55页 |
| ·The Choice of Translation Strategies | 第55-61页 |
| Conclusion | 第61-63页 |
| Bibliography | 第63-66页 |
