| ACKNOWLEDGEMENT | 第1-6页 |
| ABSTRACT | 第6-7页 |
| 摘要 | 第7-8页 |
| CONTENTS | 第8-10页 |
| LIST OF FIGURES | 第10-11页 |
| CHAPTER ONE INTRODUCTION | 第11-15页 |
| ·Rationale and Significance of the Proposed Study | 第11-12页 |
| ·Research Questions | 第12页 |
| ·Research Methodology and Data Collection | 第12页 |
| ·Organization of the Thesis | 第12-15页 |
| CHAPTER TWO LITERATURE REVIEW | 第15-27页 |
| ·A Definition of Film Title | 第15页 |
| ·Genres of Films | 第15页 |
| ·Functions of Film Titles | 第15-17页 |
| ·The Methods of Choosing Titles for Chinese Films | 第17-18页 |
| ·The Development of Chinese Film Industry | 第18-20页 |
| ·A Review of Studies on the Translation of Film Titles at home and abroad | 第20-22页 |
| ·A Review of the Rewriting Theory's Influences at home and abroad | 第22-27页 |
| CHAPTER THREE THEORETICAL FRAMEWORK | 第27-35页 |
| ·General Aspects of the Rewriting Theory | 第27-28页 |
| ·Translation as Rewriting | 第28-29页 |
| ·Lefevere's Manipulation Concept | 第29页 |
| ·Three Key Factors | 第29-32页 |
| ·Ideology | 第29-31页 |
| ·Poetics | 第31页 |
| ·Patronage | 第31-32页 |
| ·Culture-oriented Translation Strategies | 第32-33页 |
| ·A Model Based on the Rewriting Theory | 第33-35页 |
| CHAPTER FOUR AN OVERVIEW OF TRANSLATION STRATEGIES APPLIED IN C-E TRANSLATION OF CHINESE FILM TITLES | 第35-41页 |
| ·Alienation | 第35-36页 |
| ·Assimilation | 第36-37页 |
| ·Translation Cases | 第37-41页 |
| ·Transliteration | 第37-38页 |
| ·Literal Translation | 第38页 |
| ·Free translation | 第38-39页 |
| ·Creative Translation | 第39-41页 |
| CHAPTER FIVE MANIPULATIONS IN CHINESE FILM TITLE TRANSLATION | 第41-53页 |
| ·Ideological Manipulations | 第41-44页 |
| ·Perception of Oriental Culture | 第41-43页 |
| ·Implicit Vs.Explicit | 第43-44页 |
| ·Poetics Manipulation | 第44-49页 |
| ·Formal Poetological Constraints | 第45-48页 |
| ·Functional Poetological Constraints | 第48-49页 |
| ·Patronage | 第49-50页 |
| ·Summary | 第50-53页 |
| CHAPTER SIX A COMPARISON BETWEEN HONG KONG CHINESE FILM TITLE TRANSLATION AND THAT OF MAINLAND | 第53-57页 |
| ·The Results of Comparison | 第53-55页 |
| ·Cultural Factors | 第55-57页 |
| CHAPTER SEVEN CONCLUSION | 第57-59页 |
| ·Summary and Findings | 第57-58页 |
| ·Limitations and Suggestions | 第58-59页 |
| REFERENCES | 第59-63页 |
| APPENDIX Ⅰ TITLES OF 74 OSCAR WINNERS | 第63-67页 |
| APPENDIX Ⅱ 57 TITLES OF MAINLAND CHINESE FILM TITLES | 第67-71页 |
| APPENDIX Ⅲ 56 TITLES OF HONG KONG FILMS MADE IN 2003 | 第71-73页 |
