| ACKNOWLEDGEMENTS | 第1-5页 |
| 摘要 | 第5-6页 |
| Abstract | 第6-9页 |
| Introduction | 第9-11页 |
| Chapter One Theoretical Basis | 第11-21页 |
| ·The “Three-Beauty Principle”by Xu Yuanzhong | 第11-12页 |
| ·The Artistic Conception of Poems According to XYZ | 第12-15页 |
| ·The Surface Artistic Conception | 第12-14页 |
| ·The Hidden Artistic Conception | 第14-15页 |
| ·Creative Translation in Xu Yuanzhong’s Work | 第15-18页 |
| ·Translator’s Creativity in Poem Translation | 第18-21页 |
| ·The Definition of Translator’s Creativity | 第18-19页 |
| ·Scholars’General Cognition of Translator’s Creativity in Poem Translati | 第19-21页 |
| Chapter Two Comparison between Two English Versions of Blue-and-white Porcelain | 第21-48页 |
| ·Blue-and-white Porcelain, Fang Wenshan and the Chinese Poem | 第21-23页 |
| ·Introduction to Blue-and-white Porcelain | 第21页 |
| ·Introduction to the Poet Fang Wenshan | 第21-22页 |
| ·Introduction to the Chinese Poem Blue-and-white Porcelain | 第22-23页 |
| ·Analysis of the Artistic Conception of Blue-and-white Porcelain | 第23-28页 |
| ·The Definition of Artistic Conception (yi jing) | 第23-24页 |
| ·The Surface Artistic Conception of Blue-and-white Porcelain | 第24-26页 |
| ·The Hidden Artistic Conception of Blue-and-white Porcelain | 第26-28页 |
| ·Comparison between Two English Versions of Blue-and-white Porcelain from the Perspectives of Surface and Hidden Artistic Conceptions | 第28-48页 |
| ·The Two English Versions of Blue-and-white Porcelain | 第28-31页 |
| ·Comparison of the Surface Artistic Conception between the Two Versions | 第31-38页 |
| ·Comparison of the Hidden Artistic Conception between the Two Versions | 第38-46页 |
| ·Conclusion of the Comparison between the Two English Versions of Blue-and-white Porcelain | 第46-48页 |
| Chapter Three Methods of Creativeness in Poem Translation | 第48-59页 |
| ·Methods of Conveying the Surface Artistic Conception | 第48-54页 |
| ·Preserving the Image | 第49-50页 |
| ·Changing the Image | 第50-52页 |
| ·Omitting the Image | 第52-54页 |
| ·Methods of Conveying the Hidden Artistic Conception | 第54-59页 |
| ·Annotation | 第54-55页 |
| ·Specify the Hidden Artistic Conception | 第55-56页 |
| ·Bridge the Image and the Hidden Artistic Conception | 第56-59页 |
| Conclusion | 第59-61页 |
| Bibliography | 第61-63页 |
