| Acknowledgements | 第1-5页 |
| 摘要 | 第5-6页 |
| Abstract | 第6-10页 |
| Introduction | 第10-12页 |
| Chapter One The Concept of Imagery | 第12-30页 |
| ·The Definitions of Imagery | 第12-15页 |
| ·Views about Imagery in Chinese Literature and Western Literature | 第15-19页 |
| ·The Classification of Imagery | 第19-24页 |
| ·The Combination Ways of Imagery | 第24-27页 |
| ·The Importance and Functions of Imagery | 第27-30页 |
| Chapter Two The Analysis of Imagery | 第30-42页 |
| ·The Difficulties in Reproducing Imagery | 第30-34页 |
| ·The Untranslatability of Poetry Itself | 第30-31页 |
| ·Differences in Language Feature | 第31-33页 |
| ·Cultural Differences | 第33-34页 |
| ·The Understanding of Imagery | 第34-42页 |
| ·The Relationship between Imagery and Cultural Background | 第35-38页 |
| ·The Relationship between Images | 第38-40页 |
| ·The Relationship between Imagery and Artistic Conception | 第40-42页 |
| Chapter Three The Translation of Imagery | 第42-52页 |
| ·Literal Translation | 第42-44页 |
| ·Substitute Translation | 第44-45页 |
| ·Supplementary Translation | 第45-46页 |
| ·Annotation | 第46-49页 |
| ·Free Translation | 第49-52页 |
| Chapter Four A Case Study on Imagery Reproduction of the Poem On the Rear Dhyana Hall of Po Shan Bonzary | 第52-61页 |
| ·Comparisons between Three Versions | 第53-57页 |
| ·The Summary of Strategies | 第57-61页 |
| Conclusion | 第61-63页 |
| Bibliography | 第63-66页 |
