| Acknowledgements | 第1-5页 |
| Abstract(Chinese) | 第5-6页 |
| Abstract(English) | 第6-9页 |
| Introduction | 第9-12页 |
| Chapter One Style Reproduction and Functional Equivalence Theory | 第12-24页 |
| ·Conceptions of Translation | 第12-13页 |
| ·Theories on Style Reproduction | 第13-19页 |
| ·Conceptions of Style | 第13-15页 |
| ·Studies on Style Reproduction in China and West | 第15-19页 |
| ·Functional Equivalence Theory | 第19-24页 |
| ·A Brief Review of the Development of Functional Equivalence Theory | 第19-20页 |
| ·The Essence of Functional Equivalence Theory | 第20-24页 |
| Chapter Two Style of Tess of the D'Urbervilles and Its Style Reproduction in Chinese | 第24-32页 |
| ·Thomas Hardy and His Writing Style | 第24-27页 |
| ·Stylistic Analysis of Tess of the D'Urbervilles | 第27-30页 |
| ·Style Reproduction of Tess of the D'Urbervilles | 第30-32页 |
| Chapter Three Comparison of Style Reproduction between the Three Versions in the Perspective of Depiction of Scenes | 第32-42页 |
| ·Style Reproduction of Description of Natural Landscape | 第32-36页 |
| ·Style Reproduction of Description of Specific Circumstances | 第36-42页 |
| Chapter Four Comparison of Style Reproduction between the Three Versions in the Perspective of Characterization of the Three Protagonists | 第42-57页 |
| ·Style Reproduction of Depiction of Tess D'Urberfield,the Pure | 第43-48页 |
| ·Style Reproduction of Depiction of Angel Clare,the Noble | 第48-53页 |
| ·Style Reproduction of Depiction ofAlec D'Urberville,the Devil | 第53-57页 |
| Conclusion | 第57-59页 |
| Bibliography | 第59-61页 |
