| 摘要 | 第1-6页 |
| Abstract | 第6-8页 |
| Contents | 第8-10页 |
| Chapter One Introduction | 第10-15页 |
| ·Research Background | 第10-12页 |
| ·Research Significance | 第12-13页 |
| ·Research Questions | 第13页 |
| ·Research Methodology | 第13-14页 |
| ·Organization of the Thesis | 第14-15页 |
| Chapter Two Literature Review | 第15-23页 |
| ·The Overall Studies on Chinese Versions of The Rubaiyat | 第15-17页 |
| ·Studies on Guo Mo-ruo's Version of The Rubaiyat | 第17-19页 |
| ·Studies on Huang Ke-sun's Version of The Rubaiyat | 第19-21页 |
| ·A Brief Review of Studies from the Perspective of Triple Beauty | 第21-23页 |
| Chapter Three Theoretical Framework | 第23-32页 |
| ·The Theoretical Background of Triple Beauty Theory | 第23-27页 |
| ·The Triple Beauty Theory | 第27-32页 |
| Chapter Four A Contrastive Analysis of the Two Versions from the Perspective of Triple Beauty Theory | 第32-54页 |
| ·The Contrastive Analysis from the Perspective of Message Beauty | 第32-37页 |
| ·The Contrastive Analysis from the Perspective of Prosodic Beauty | 第37-42页 |
| ·The Contrastive Analysis from the Perspective of Image Beauty | 第42-54页 |
| Chapter Five Conclusion | 第54-59页 |
| ·Major Findings | 第54-55页 |
| ·Implications | 第55-56页 |
| ·Limitations and Suggestions | 第56-59页 |
| Bibliography | 第59-62页 |
| Acknowledgements | 第62-63页 |
| About the Author | 第63页 |
