| Acknowledgements | 第1-6页 |
| 中文摘要 | 第6-8页 |
| Abstract | 第8-12页 |
| 1 Introduction | 第12-17页 |
| ·Research background | 第12-14页 |
| ·Research significance | 第14-15页 |
| ·Structure of the thesis | 第15-17页 |
| 2 Literature Review | 第17-22页 |
| ·Current studies on the Yangs and their translations | 第17-18页 |
| ·Current studies on Song Ming Pinghua Xuan | 第18-19页 |
| ·Current studies on rewriting theory | 第19-22页 |
| 3 Theoretical Framework | 第22-28页 |
| ·Lefevere and his rewriting theory | 第22-24页 |
| ·The three influential factors | 第24-27页 |
| ·Patronage | 第24-25页 |
| ·Ideology | 第25-26页 |
| ·Poetics | 第26-27页 |
| ·Summary | 第27-28页 |
| 4 Influence of Patronage on Translation of Song Ming Pinghua Xuan | 第28-33页 |
| ·Influence of professionals on the initiation of Song Ming Pinghua Xuan | 第28-30页 |
| ·Influence of FLP editors on the translation of Song Ming Pinghua Xuan | 第30-32页 |
| ·Summary | 第32-33页 |
| 5 Influence of Ideology of PRC on the Translation of Song Ming Pinghua Xuan | 第33-48页 |
| ·Dominant ideology of New China in the middle of 1950s | 第33-35页 |
| ·Its influence on the Yangs' translation | 第35-46页 |
| ·Its influence on the selection of stories | 第35-39页 |
| ·Its influence on the translation process | 第39-46页 |
| ·Recreation of anti-feudalism characters | 第39-43页 |
| ·Omission of elements related to feudal dross | 第43-44页 |
| ·Criticism of corrupted feudal judicial and official system | 第44-46页 |
| ·Summary | 第46-48页 |
| 6 Influence of Poetics on the Translation of Song Ming Pinghua Xuan | 第48-71页 |
| ·Influence of Chinese poetics | 第48-55页 |
| ·Revolutionary grand narration | 第48-49页 |
| ·Its influence and the exclusion of sex-related stories | 第49-51页 |
| ·Its influence and the underplay of sex-related description | 第51-55页 |
| ·Underplay by using euphemistic expressions | 第51-52页 |
| ·Underplay by omitting sex-related descriptions | 第52-55页 |
| ·Influence of English poetics | 第55-69页 |
| ·Rewring of "pinghua"-styled titles | 第55-57页 |
| ·Flexible handling of "yunwen" | 第57-65页 |
| ·Complete omission | 第57-59页 |
| ·Partial preservation | 第59-61页 |
| ·Addition of end rhymes | 第61-65页 |
| ·Omission of Chinese cultural specific items in allusions | 第65-69页 |
| ·Omission of allusions to Chinese mythology | 第65-67页 |
| ·Omission of allusion to historical figures | 第67-69页 |
| ·Summary | 第69-71页 |
| 7 Conclusion | 第71-73页 |
| Bibliography | 第73-76页 |
