| ACKNOWLEDGEMENTS | 第5-6页 |
| 摘要 | 第6-8页 |
| Abstract | 第8-9页 |
| Chapter One Introduction | 第11-17页 |
| 1.1 Research Background and Significance | 第11-13页 |
| 1.2 Rationale for the Thesis | 第13-14页 |
| 1.3 Methodology of the Thesis | 第14-16页 |
| 1.4 Organization of the Thesis | 第16-17页 |
| Chapter Two Literature Review and Theoretical Framework | 第17-28页 |
| 2.1 Literature Review | 第17-21页 |
| 2.1.1 An Overview of the Source Text and Its English Translation | 第18-19页 |
| 2.1.2 Summary of the Previous Research | 第19-21页 |
| 2.2 Research Gap | 第21-22页 |
| 2.3 Theoretical Framework | 第22-28页 |
| 2.3.1 Aesthetic Identification in Reception Aesthetics | 第22-28页 |
| Chapter Three The Analysis of the Five Types of Aesthetic Identification | 第28-65页 |
| 3.1 Associative Identification | 第28-34页 |
| 3.1.1 Associative Identification with Historical Culture | 第29-32页 |
| 3.1.2 Associative Identification with the Regional Culture | 第32-34页 |
| 3.2 Admiring Identification | 第34-47页 |
| 3.2.1 Admiring Identification with the Content | 第35-37页 |
| 3.2.2 Admiring Identification with the Structure | 第37-42页 |
| 3.2.3 Admiring Identification with the Language | 第42-47页 |
| 3.3 Sympathetic Identification with the Protagonists | 第47-54页 |
| 3.4 Cathartic Identification with the Protagonist Sun Meiniang | 第54-58页 |
| 3.5 Ironic Identification with the Protagonist Zhao Jia | 第58-63页 |
| 3.6 Failings in the Translation | 第63页 |
| 3.7 Summary | 第63-65页 |
| Chapter Four Conclusion | 第65-69页 |
| 4.1 Major Findings of This Research | 第65-66页 |
| 4.2 Implications of This Research | 第66-67页 |
| 4.3 Limitations of This Research and Suggestions for Future Research | 第67-69页 |
| References | 第69-74页 |
