| 摘要 | 第1-6页 |
| Abstract | 第6-10页 |
| 1. Introduction | 第10-13页 |
| ·Research background | 第10-11页 |
| ·Significance of the study | 第11页 |
| ·Structure of the thesis | 第11-13页 |
| 2. Literature Review | 第13-18页 |
| ·Previous studies on Lu Ding Ji and The Deer and the Cauldron | 第13-16页 |
| ·Studies on deconstructionist literary criticism abroad | 第16-18页 |
| 3. Theoretical Basis:Literary Criticism Relevant to Deconstruction | 第18-21页 |
| ·Deconstruction and Logocentrism | 第18页 |
| ·Western tradition of logocentrism | 第18页 |
| ·Deconstruction as a revolt | 第18页 |
| ·Deconstructionist notions relevant to the present research | 第18-21页 |
| ·Erasion of binary oppositions | 第18-19页 |
| ·Dissipation of ultimate truth | 第19-21页 |
| 4. A General Introduction to Louis Cha's Lu Ding Ji and John Minford's The Deerand the Cauldron | 第21-25页 |
| ·Louis Cha and Lu Ding Ji | 第21-23页 |
| ·Louis Cha and his martial arts fictions | 第21-22页 |
| ·Possible reasons for the creation of Lu Ding Ji: a novel with deconstructionist features | 第22-23页 |
| ·John Minford and The Deer and the Cauldron | 第23-25页 |
| ·John Minford as a translator | 第23-24页 |
| ·Background information about The Deer and the Cauldron | 第24-25页 |
| 5. Analysis of Deconstructionist Features in Lu Ding Ji | 第25-33页 |
| ·Erasion of binary oppositions | 第25-30页 |
| ·Deconstruction in heroic pattern:heroes VS anti-heroes | 第25-27页 |
| ·Deconstruction in wuxia spirits:a politicized 'River and Lake' | 第27-28页 |
| ·Deconstruction in morality: revolt against Confucian traditions | 第28-30页 |
| ·Dissipation of ultimate truth--deconstruction in historical facts: parody of history | 第30-33页 |
| 6. Analysis of the Representation of Deconstructionist Features of Lu Ding Ji and Problems in The Deer and the Cauldron | 第33-48页 |
| ·The literary devices Louis Cha used to achieve deconstruction | 第33-35页 |
| ·Irony | 第33-35页 |
| ·Parody | 第35页 |
| ·The representation of irony | 第35-42页 |
| ·The representation of irony that deconstructs heroic pattern | 第35-38页 |
| ·The representation of irony that deconstructs wuxia spirits | 第38-40页 |
| ·The representation of irony that deconstructs morality | 第40-42页 |
| ·The representation of parody that deconstructs historical facts | 第42-44页 |
| ·General evaluation of Minford's translation | 第44-48页 |
| ·Evaluation from the present author | 第44页 |
| ·Evaluation from general readers | 第44-48页 |
| 7. Conclusion | 第48-49页 |
| Bibliography | 第49-51页 |
| Acknowledgements | 第51页 |
