| 摘要 | 第1-4页 |
| Abstract | 第4-11页 |
| INTRODUCTION | 第11-15页 |
| CHAPTER ONE THEORETICAL BASE AND LITERATURE REVIEW | 第15-34页 |
| ·DEFINITIONS OF CODE-SWITCHING | 第15-16页 |
| ·APPROACHES TO THE ANALYSIS OF CODE-SWITCHING | 第16-22页 |
| ·The Sociolinguistic Approach | 第16-18页 |
| ·The Grammatical Approach | 第18-20页 |
| ·The Psycholinguistic Approach | 第20-21页 |
| ·The Conversational Analysis (CA) Approach | 第21-22页 |
| ·THEORETICAL BASE | 第22-30页 |
| ·The Matrix Language Frame Model | 第22-24页 |
| ·Adaptation Theory | 第24-28页 |
| ·Application of the MLF Model and Adaptation Theory to Code-switching Studies | 第28-30页 |
| ·PREVIOUS RESEARCH ON CODE-SWITCHING IN POP MUSIC | 第30-34页 |
| ·Previous Research Abroad | 第30-32页 |
| ·Previous Research in China | 第32-34页 |
| CHAPTER TWO RESEARCH METHODOLOGY | 第34-38页 |
| ·RESEARCH METHODOLOGY OF THE PRESENT STUDY | 第34-35页 |
| ·RESEARCH QUESTIONS | 第35-36页 |
| ·DATA COLLECTION | 第36-38页 |
| CHAPTER THREE ANALYSIS OF STRUCTURAL PROPERTIES OF THE CHINESE-ENGLISH CODE-SWITCHING IN POP MUSIC | 第38-55页 |
| ·ML + EL CONSTITUENTS | 第39-47页 |
| ·Analysis of Letters or Letter Clusters | 第39-40页 |
| ·Analysis of EL Words | 第40-47页 |
| ·EL ISLANDS | 第47-53页 |
| ·Analysis of EL Sentences | 第48-50页 |
| ·Analysis of EL NPs | 第50-51页 |
| ·Analysis of EL Discourses | 第51-52页 |
| ·Analysis of EL VPs | 第52-53页 |
| ·SUMMARY | 第53-55页 |
| CHAPTER FOUR ANALYSIS OF MOTIVATIONS FOR THE CHINESE-ENGLISH CODE-SWITCHING IN POP MUSIC | 第55-82页 |
| ·INTRODUCTION | 第55-56页 |
| ·CODE-SWITCHING AS ADAPTATION TO THE LINGUISTIC REALITY | 第56-63页 |
| ·Linguistic Reality | 第56-57页 |
| ·Adaptation to the Linguistic Existence of Chinese and English | 第57-61页 |
| ·Adaptation to the Linguistic Features of Chinese and English | 第61-63页 |
| ·CODE-SWITCHING AS ADAPTATION TO THE SOCIAL CONVENTIONS | 第63-68页 |
| ·Social Conventions | 第63-64页 |
| ·Adaptation to the Chinese Social Conventions | 第64-68页 |
| ·CODE-SWITCHING AS ADAPTATION TO THE PSYCHOLOGICAL MOTIVATIONS | 第68-78页 |
| ·Psychological Motivations | 第68-69页 |
| ·Code-switching as Song-organizing Strategy | 第69-70页 |
| ·Code-switching as Rhyme-constructing Strategy | 第70-72页 |
| ·Code-switching as Humor-creating Strategy | 第72-74页 |
| ·Code-switching as Convenience Strategy | 第74-76页 |
| ·Code-switching as Foreign Flavor Gaining Strategy | 第76-77页 |
| ·Code-switching as Quotation Strategy | 第77-78页 |
| ·SUMMARY | 第78-82页 |
| CHAPTER FIVE CONCLUSION | 第82-89页 |
| ·SUMMARY OF FINDINGS | 第82-86页 |
| ·Structural Properties of the Chinese-English Code-switching in Pop Music | 第82-84页 |
| ·Motivations for the Chinese-English Code-switching in Pop Music | 第84-86页 |
| ·IMPLICATIONS OF THE STUDY | 第86-87页 |
| ·LIMITATIONS AND SUGGESTIONS | 第87-89页 |
| BIBLIOGRAPHY | 第89-94页 |
| APPENDIX | 第94-102页 |
| 发表论文（清单） | 第102-103页 |
| ACKNOWLEDGEMENTS | 第103-105页 |
