| 摘要 | 第1-6页 |
| Abstract | 第6-9页 |
| Contents | 第9-13页 |
| Introduction | 第13-17页 |
| Chapter 1 Traditional Translation Studies on Pound's and Lin Shu'sTranslations | 第17-33页 |
| ·Pound's and Lin Shu's Translations | 第17-22页 |
| ·Brief Introduction to "Pound/Lin Shu Phenomenon" in Literary Translation | 第17-19页 |
| ·Pound's and Lin Shu's Translations and their Impacts | 第19-22页 |
| ·Review of Traditional Translation Theory | 第22-30页 |
| ·"Faithfulness" in Traditional Chinese Translation Studies in Retrospect | 第23-25页 |
| ·"Equivalence" in Traditional Western Translation Studies in Retrospect | 第25-30页 |
| ·Doubt on Pound's and Lin Shu's Creative Treason in Traditional Translation Studies | 第30-33页 |
| Chapter 2 Horizon of Expectation and Literary Translation | 第33-50页 |
| ·A Review of Horizon of Expectation | 第33-40页 |
| ·A Brief Introduction to Reception Aesthetics | 第33-35页 |
| ·Definition and Classification of Horizon of Expectation | 第35-37页 |
| ·Change of Horizons | 第37-40页 |
| ·Creative Treason in Literary Translation | 第40-43页 |
| ·Application of Horizon of Expectation to Literary Translation | 第43-50页 |
| Chapter 3 Enlightenment from Horizon of Expectation for Pound'sand Lin Shu's Translations | 第50-70页 |
| ·Translation Motivation | 第51-55页 |
| ·Pound:Establishing Imagism Catering to Chang of Expectation Horizon | 第51-53页 |
| ·Lin Shu:Cultivating Chinese with New Ideas | 第53-55页 |
| ·Selection of Source Text | 第55-60页 |
| ·Pound:Poems' Motif of Sadness | 第55-58页 |
| ·Lin Shu:Social and Adventure Fictions | 第58-60页 |
| ·Diction of Language Style | 第60-65页 |
| ·Pound:Contemporary Idioms rather than Old English | 第61-63页 |
| ·Lin Shu:Classical Chinese instead of Modern Vernacular | 第63-65页 |
| ·Choice of Translation Strategy | 第65-70页 |
| ·Pound:Foreignization-oriented Strategy | 第66-68页 |
| ·Lin Shu:Domestication-oriented Strategy | 第68-70页 |
| Chapter 4 Pound's and Lin Shu's Creative Treason Catering toHorizon of Expectation | 第70-108页 |
| ·Creative Treason in the Light of Readers' Horizon of Literary Expectation | 第71-87页 |
| ·Pound's Creative Treason catering to Readers' Innovatory Expectation | 第72-81页 |
| ·Free Verse | 第73-76页 |
| ·Omission of Verbs and Particles | 第76-81页 |
| ·Lin Shu's Creative Treason Consistent with Readers' Directional Expectation | 第81-87页 |
| ·Abridgment of Plots | 第82-85页 |
| ·Reserving Chinese Traditional Literary Techniques | 第85-87页 |
| ·Creative Treason in the Light of Readers' Horizon of Life Expectation | 第87-108页 |
| ·Pound's Creative Treatment about Allusions and Images | 第88-97页 |
| ·Lin Shu's Creative Treason | 第97-108页 |
| ·Satisfying Chinese Readers' Patriotic Emotion | 第97-100页 |
| ·Reducing the Christian Ideas Consistent with Chinese Traditional Ethics | 第100-104页 |
| ·Creative Treason for Cultural and Aesthetic Tendericy | 第104-108页 |
| Conclusion | 第108-111页 |
| Notes | 第111-112页 |
| Bibliography | 第112-117页 |
| Acknowledgements | 第117-118页 |
| 攻读硕士学位期间主要的研究成果目录 | 第118页 |
