| Acknowledgements | 第1-6页 |
| Abstract | 第6-13页 |
| 摘要 | 第13-22页 |
| List of Figures and Tables | 第22-24页 |
| Chapter 1 Introduction | 第24-36页 |
| ·Motivation of the Study | 第24-25页 |
| ·Orientation of the Study | 第25页 |
| ·The Necessity and Significance of the Study | 第25-29页 |
| ·Feasibility of the Study | 第29-30页 |
| ·The Scope and Data of the Study | 第30-33页 |
| ·Methodology and Procedures of the Study | 第33-34页 |
| ·The Organization of the Dissertation | 第34-36页 |
| Chapter 2 Previous Combinational Practices | 第36-46页 |
| ·Nash: Interlocking Perceptions of Macro-Level and Micro-Level | 第36-37页 |
| ·The Significance of Short’s Paper Revaluated | 第37-41页 |
| ·Other Combinational Practices | 第41-46页 |
| Chapter 3 Relevant Theories of Stylistics and Narratology | 第46-85页 |
| ·Typical Features and Methods of Stylistics | 第46-52页 |
| ·Stylistics, Inherently Trans-disciplinary | 第46-47页 |
| ·Stylistics, More Contextualized | 第47-48页 |
| ·Brief Review of Relevant Stylistic Analytical Methods | 第48-52页 |
| ·Narratological Concepts and Frames | 第52-85页 |
| ·Definition of Narrative | 第52-56页 |
| ·Various Definitions of Narrative and the One Adopted in This Thesis | 第52-54页 |
| ·“Novel of Action”vs. “Novel of Character” | 第54-56页 |
| ·Narrative Levels | 第56-64页 |
| ·Dichotomies of Narrative | 第56页 |
| ·Three-Level Divisions of Narrative | 第56-57页 |
| ·Defense for Dichotomy | 第57-62页 |
| ·Redefining Discourse and Story | 第62-64页 |
| ·Definition of Narratology | 第64-65页 |
| ·Major Narrative Techniques | 第65-69页 |
| ·Relating Narratological Techniques to Narrative Structure | 第69-85页 |
| ·Definitions of Narrative Structure | 第70-71页 |
| ·Narrative Structure in the West | 第71-73页 |
| ·Narrative Structure in China | 第73-76页 |
| ·A Comprehensive View Concerning Narrative Structure | 第76-77页 |
| ·Various Types of Narrative Structure | 第77-82页 |
| ·Natural Narrative Structure & Narrative Competence | 第82-85页 |
| Chapter 4 Classifying Horizontal and Vertical Narrative Types Based on Embedded Structure and Basic Story | 第85-98页 |
| ·Embedded Structure | 第85-88页 |
| ·Distinguishing Horizontal and Vertical Narrative Types | 第88-94页 |
| ·Horizontal or One-Layered Narrative | 第88-89页 |
| ·Vertical or Multi-Layered Narrative (Two-Layered Included) | 第89-94页 |
| ·Exemplifying Multi-layered Narrative Types | 第94-97页 |
| ·Summary | 第97-98页 |
| Chapter 5 Theoretical Description and Analytical Framework | 第98-133页 |
| ·Explanation of Narratological-Stylistics | 第98-99页 |
| ·Basic Principle of Narratological-Stylistics: Foregrounding | 第99-101页 |
| ·Structural Elements of Narratological-Stylistics | 第101-105页 |
| ·Narratological-Stylistic Analysis of the Structural Elements | 第105-125页 |
| ·Character | 第105-109页 |
| ·Space/Setting | 第109-112页 |
| ·Events | 第112-124页 |
| ·Cognitive View of Temporal Techniques | 第113-115页 |
| ·Temporal Techniques Adopted in the Study | 第115-119页 |
| ·Narratological-Stylistic Analysis of Order | 第119-120页 |
| ·Narratological-Stylistic Analysis of Speed | 第120-121页 |
| ·Narratological-Stylistic Analysis of Frequency | 第121-124页 |
| ·Spatial Form (Iconographic Narrative Structure) | 第124页 |
| ·Point of View | 第124-125页 |
| ·Specific Analytical Framework for Modern Fictions | 第125-131页 |
| ·Key Structural Elements in Modern Narrative Fictions | 第125-128页 |
| ·Specific Analytical Framework for Modern Narrative Fictions | 第128-131页 |
| ·Analytical Process of This Thesis | 第131-132页 |
| ·Summary | 第132-133页 |
| Chapter 6 Exemplified Analysis of Temporal Structure | 第133-173页 |
| ·Narratological-Stylistic Analysis of Temporal Order | 第133-136页 |
| ·Distinguishing Analepsis from Prolepsis | 第136-138页 |
| ·Narratological-Stylistic Analysis of Analepsis in Light in August | 第138-163页 |
| ·Narratological Analysis of Foregrounded Temporal Distortion | 第143-152页 |
| ·Stylistic Analysis of Foregrounded Linguistic Features | 第152-162页 |
| ·Narratological-Stylistic Interpretation | 第162-163页 |
| ·Revisiting Michael Short’s Analysis | 第163-166页 |
| ·Extended Exploration of Analepsis | 第166-170页 |
| ·Other Temporal Techniques | 第170-172页 |
| ·Summary | 第172-173页 |
| Chapter 7 Exemplified Analysis of Spatial Form | 第173-195页 |
| ·The Nature of Spatial Form | 第173-176页 |
| ·Exemplified Analysis of Spatial Pattern in Light in August | 第176-189页 |
| ·Constructing Spatial Form Based on Narratological Arrangement | 第177-179页 |
| ·Stylistic Features | 第179-182页 |
| ·Stylistic Features in Spatial Form and Narratological-Stylistic Analysis | 第182-189页 |
| ·Further Considerations on Spatial Form | 第189-194页 |
| ·Summary | 第194-195页 |
| Chapter 8 Exemplified Analysis of Point of View | 第195-245页 |
| ·Narratological Classifications of Points of View | 第195-196页 |
| ·Separate Studies of Point of View in Two Fields | 第196-197页 |
| ·Unions of Two Analytical Methods | 第197-216页 |
| ·Combination of Perceptual Point of View with Stylistic Analysis | 第199-203页 |
| ·Combinations about Emotion or Ideology-Laden Points of View | 第203-216页 |
| ·Narratological-Stylistic Analysis of Points of View in The Catcher in the Rye | 第216-227页 |
| ·Narrating Comments and Mixing Deixis | 第218-222页 |
| ·Indefinite Speech and Thought Presentations | 第222-223页 |
| ·No Stylistic Markers of Detachment | 第223-225页 |
| ·Narratological-Stylistic Analysis of Holden’s Existential Crisis | 第225-227页 |
| ·Narratological-Stylistic Analysis of Points of View in Light in August | 第227-244页 |
| ·Narratological Analysis of Lena and Joe’s First Appearances | 第227-232页 |
| ·Narrator Byron and the Narrated Objects | 第232-238页 |
| ·Stylistic Features of the Narrated Objects | 第238-244页 |
| ·Summary | 第244-245页 |
| Chapter 9 Conclusion | 第245-253页 |
| ·Summary | 第245-250页 |
| ·Major Findings of the Study | 第250页 |
| ·Practical Significance of the Study | 第250-251页 |
| ·Limitations and Future Study | 第251-253页 |
| Bibliography | 第253-261页 |
