| 摘要 | 第1-4页 |
| Abstract | 第4-7页 |
| 1 Introduction | 第7-13页 |
| ·Brief Introduction of Systemic Functional Grammar | 第7-8页 |
| ·Brief Introduction of Plett's Phonological Figure | 第8-10页 |
| ·Brief Introduction of Ulysses and the Art of Its Phonological Elements | 第10-11页 |
| ·Aim and Significance of the Study of the Thesis | 第11-13页 |
| 2 Theory of Interpersonal Meaning | 第13-24页 |
| ·Theoretical Background of the Study of Interpersonal Meaning | 第13-14页 |
| ·The Significance of Studying Interpersonal Meaning in a Novel | 第14页 |
| ·Halliday's Perspective on Interpersonal Meaning | 第14-24页 |
| ·Mood and Modality | 第15-17页 |
| ·Key | 第17-24页 |
| 3 Phonological Figures that Realize the Interpersonal Meaning | 第24-30页 |
| ·Segmental | 第24-27页 |
| ·Licences | 第24-26页 |
| ·Equivalences | 第26-27页 |
| ·Suprasegmental | 第27-28页 |
| ·Stress | 第27-28页 |
| ·Pitch | 第28页 |
| ·Tone | 第28页 |
| ·The Perspective of the Study of Suprasegmental | 第28-30页 |
| 4 Analysis of Interpersonal Meaning of Phonological Figures in Ulysses | 第30-52页 |
| ·Interpersonal Meaning Realized by Segmental Features | 第30-36页 |
| ·Analysis of Interpersonal Meaning Realized by Licences | 第30-33页 |
| ·Analysis of Interpersonal Meaning Realized by Equivalences | 第33-35页 |
| ·Summary | 第35-36页 |
| ·Interpersonal Meaning Realized by Suprasegmental Features in Episode 12 | 第36-49页 |
| ·Analysis of the Interpersonal Meaning Realized by Stress,Pitch and Tone of Four Conversations | 第37-48页 |
| ·Summary | 第48-49页 |
| ·Interpersonal Meaning Realized by Other Phonological Figures | 第49-52页 |
| ·Analysis of Interpersonal Meaning Realized by Onomatopoeia | 第49-50页 |
| ·Analysis of Interpersonal Meaning Realized by Diaeresis | 第50页 |
| ·Summary | 第50-52页 |
| Conclusion | 第52-54页 |
| Notes | 第54-55页 |
| Bibliography | 第55-57页 |
| 攻读学位期间发表的学术论文 | 第57-58页 |
| Acknowledgements | 第58-59页 |
