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Doomsday and Redemption: A Cultural Metaphorical Interpretation of the Road

ACKNOWLEDGEMENT第7-8页
ABSTRACT第8-9页
摘要第10-12页
CHAPTER I INTRODUCTION第12-20页
    1.1 Cormac McCarthy第12-14页
    1.2 The Road第14-15页
    1.3 Social and Historical Background第15-17页
    1.4 Literary Representation第17-20页
CHAPTER II LITERATURE REVIEW第20-24页
    2.1 Studies Abroad第20-21页
    2.2 Domestic Studies第21-24页
CHAPTER III THEORETICAL FRAMEWORK第24-29页
    3.1 Definition of Metaphor第24页
    3.2 Literary Association of Metaphor第24-26页
    3.3 Cultural Metaphor as Literary Criticism第26-27页
    3.4 Martin J. Gannon’s Interpretation of Cultural Metaphor第27-29页
CHAPTER IV CULTURAL METAPHORS IN THE ROAD第29-54页
    4.1 Milieu as Cultural Metaphors第29-38页
        4.1.1 Doomsday in the Holy Bible and Post-apocalyptic Literature第30-31页
        4.1.2 McCarthy’s Representation of the“Post-apocalyptic World”第31-38页
            4.1.2.1 The Natural and Social Environment第32-34页
            4.1.2.2 The Challenge of Violence, Evil and Death第34-37页
            4.1.2.3 Human Beings in Alienation and Despair第37-38页
    4.2 Fiction Title as Cultural Metaphor第38-42页
        4.2.1 Father’s Road ---Passing Down Hope and Love第39-40页
        4.2.2 Boy’s Road ---Building Up Goodness第40-42页
    4.3 Images as Cultural Metaphors第42-44页
        4.3.1 Water: Metaphor of Life第42-43页
        4.3.2 Fire: Metaphor of Hope第43-44页
    4.4 Characters as Cultural Metaphors第44-54页
        4.4.1 The Father’s Rebellion第45-48页
        4.4.2 The Son’s Redemption第48-50页
        4.4.3 Other Survivors’ Wandering and Wondering第50-54页
CHAPTER V REDEMPTION IN THE POST-APOCALPTIC WORLD第54-63页
    5.1 Post-apocalyptic Crisis of Food第55-57页
    5.2 Post-apocalyptic Sense of Security第57-60页
    5.3 Post-apocalyptic Pursuit of Goodness第60-63页
CHAPTER VI CONCLUSION第63-65页
WORKS CITED第65-67页

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