| 摘要 | 第4-5页 |
| Abstract | 第5页 |
| Chapter 1 Introduction | 第7-16页 |
| 1.1 Literary Production | 第7-8页 |
| 1.2 Present Researches on Wole Soyinka s Plays | 第8-13页 |
| 1.2.1 Foreign Researches | 第8-11页 |
| 1.2.2 Domestic Researches | 第11-13页 |
| 1.3 The Reasons for Choosing this Topic | 第13-14页 |
| 1.4 The Research Methodology and the Structure of the Thesis | 第14-16页 |
| Chapter 2 The Overview of the Theory | 第16-24页 |
| 2.1 The Definition and Overview of Postcolonialism Theory | 第16-18页 |
| 2.2 The Definition and Overview Of the Hybridity Theory | 第18-24页 |
| 2.2.1 Bhabha s Hybridity Theory | 第18-20页 |
| 2.2.2 Frantz Fanon s View of Racism and Bhabha s View of identity | 第20-23页 |
| 2.2.3 The Third Space Theory | 第23-24页 |
| Chapter 3 Hybridity of Soyinka s Cultural Identity | 第24-27页 |
| Chapter 4 Hybridity and Ethnic Identity | 第27-39页 |
| 4.1 Mimesis Essentially Similar to Hybridity | 第27-28页 |
| 4.2 Mimesis in The Lion and the Jewel | 第28-31页 |
| 4.3 Hybridity in Death and the King's Horseman | 第31-39页 |
| 4.3.1 Switching in Transmigration in Traditional African Culture | 第31-32页 |
| 4.3.2 Cultural Identity | 第32-34页 |
| 4.3.3 Culture Conflict | 第34-37页 |
| 4.3.4 Cultural Significance of Hybridity | 第37-39页 |
| Conclusion | 第39-41页 |
| References | 第41-44页 |
| Acknowledgement | 第44页 |
