| 摘要 | 第4-5页 |
| Abstract | 第5-6页 |
| Acknowledgements | 第7-10页 |
| Introduction | 第10-17页 |
| 0.1 Research Background | 第10-14页 |
| 0.2 Research Purpose and Significance | 第14页 |
| 0.3 Research Methodology | 第14-15页 |
| 0.4 Structure of the Thesis | 第15-17页 |
| Chapter One Literature Review | 第17-23页 |
| 1.1 Previous Studies on Snow Flower and the Secret Fan Abroad | 第17-19页 |
| 1.2 Previous Studies on Snow Flower and the Secret Fan and Its Translation in China | 第19-23页 |
| Chapter Two Imagology and Postcolonial Translation Theory | 第23-30页 |
| 2.1 Theory of Imagology in Comparative Literature | 第23-25页 |
| 2.1.1 "Image" in Imagology | 第23-24页 |
| 2.1.2 "Self" and "Other" in Imagology | 第24-25页 |
| 2.1.3 Social Collective Imagination | 第25页 |
| 2.2 Postcolonial Translation Studies | 第25-28页 |
| 2.2.1 A Survey of Power Differentials | 第26页 |
| 2.2.2 Translating Across Power Differentials | 第26-28页 |
| 2.2.2.1 Writing for Translation | 第27页 |
| 2.2.2.2 Selection of Translation Strategies | 第27-28页 |
| 2.3 Relation between Imagology and Postcolonial Translation Studies | 第28-30页 |
| Chapter Three A Study on the Translation of Images of China in Snow Flowerand the Secret Fan from the Postcolonial Perspective | 第30-54页 |
| 3.1 A Brief Introduction to Snow Flower and the Secret Fan and Its Author | 第30-36页 |
| 3.1.1 Images of China in Snow Flower and the Secret Fan | 第31-36页 |
| 3.1.1.1 The Ugly Image of China | 第31-33页 |
| 3.1.1.2 The Inhuman Images of China | 第33-35页 |
| 3.1.1.3 The Backward Image of China | 第35-36页 |
| 3.2 Images of China in Xue Hua Yu Mi Mi De Shan Zi | 第36-40页 |
| 3.2.1 The Distorted Images of the Chinese | 第37-38页 |
| 3.2.2 The Distorted Image of the Confucianism-Ruled China | 第38-39页 |
| 3.2.3 The Weakened Image of Imperial Authority | 第39-40页 |
| 3.3 Variations in the Translation of Images of China in Snow Flower and the Secret Fan | 第40-54页 |
| 3.3.1 Translation of Images of China in Snow Flower and the Secret Fan under the Influence of Power Differentials | 第41-49页 |
| 3.3.1.1 Deletion | 第41-45页 |
| 3.3.1.2 Addition | 第45-46页 |
| 3.3.1.3 Substitution | 第46-49页 |
| 3.3.2 A Postcolonial Analysis of Translation of Images of China in Snow Flower and the Secret Fan | 第49-54页 |
| 3.3.2.1 Readers' Acceptability | 第49-51页 |
| 3.3.2.2 Cultural Identity | 第51-52页 |
| 3.3.2.3 Consciousness of Decolonization | 第52-54页 |
| Conclusion | 第54-56页 |
| Notes | 第56-57页 |
| Works Cited | 第57-58页 |
