| 摘要 | 第1-6页 |
| Abstract | 第6-9页 |
| Chapter 1 Introduction | 第9-10页 |
| Chapter 2 Literature Review | 第10-19页 |
| ·The Origin and Development of Image Theory in Classical Chinese poetry | 第10-13页 |
| ·Western Theory on Imagery | 第13-15页 |
| ·Current Studies on the Translation of Images in Poetry | 第15-16页 |
| ·The Function of Images in Classical Chinese Poetry | 第16-17页 |
| ·The Relationship between Imagery and Culture | 第17-19页 |
| Chapter 3 Common Images in Classical Chinese Poetry | 第19-48页 |
| ·Principles of Translating Imagery in Classical Chinese Poetry | 第19-23页 |
| ·The principle of semantic equivalence | 第19-20页 |
| ·The principle of equivalence in aesthetic function | 第20-21页 |
| ·Cultural default and translation compensation | 第21-23页 |
| ·Cultural compensation beyond text | 第21-22页 |
| ·Cultural compensation within text | 第22-23页 |
| ·Common Images in Classical Chinese Poetry and Their Translation | 第23-48页 |
| ·Images of the vegetable kingdom | 第24-31页 |
| ·Images of the animal kingdom | 第31-37页 |
| ·Images of the mineral kingdom | 第37-44页 |
| ·Human images | 第44-48页 |
| Chapter 4 Problems and Strategies for the Translation of Images in Classical Chinese Poetry | 第48-60页 |
| ·The Essence of Translating Images | 第48页 |
| ·The Translatability of Images in Classical Chinese Poetry | 第48-49页 |
| ·Cultural problems in Image Translation | 第49-51页 |
| ·Image Translation Strategies in Classical Chinese Poetry | 第51-60页 |
| ·Preservation | 第52-53页 |
| ·Substitution | 第53-54页 |
| ·Omission | 第54-56页 |
| ·Addition | 第56-58页 |
| ·Annotating | 第58-60页 |
| Chapter 5 Conclusions | 第60-62页 |
| ·Main Findings of This Research | 第60-61页 |
| ·Limitations of This Research | 第61页 |
| ·Suggestions for Further Research | 第61-62页 |
| References | 第62-65页 |
| Acknowledgements | 第65页 |
