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诗歌表演动态艺术研究

摘要第4-5页
ABSTRACT第5-6页
Abbreviations第7-11页
Introduction第11-26页
Chapter One Literary Review第26-38页
    1.1 Foreign Studies on Poetry Performance第26-34页
    1.2 Domestic Studies on Poetry Performance第34-38页
Chapter Two Theoretical Framework第38-58页
    2.1 Mimesis and Tekhne in Poetry Performance第38-43页
        2.1.1 Mimesis in Poetry Performance第38-41页
        2.1.2 Tekhne in Poetry Performance第41-43页
    2.2 Kinetic Artistry in Poetry Performance第43-58页
        2.2.1 Dramatism and Theatricality第44-48页
        2.2.2 Kinetic Fusion of Horizon第48-58页
Chapter Three Poetry for Performance第58-98页
    3.1 Poetry as Script in Performance第58-69页
        3.1.1 Poetry as Script第58-62页
        3.1.2 Kinetic Rhythm and Rhyme第62-69页
    3.2 The Artistic Arrangements第69-97页
        3.2.1 Director, Performer and Audience第70-81页
        3.2.2 The Design of Stage Space第81-97页
    3.3 Summary第97-98页
Chapter Four The Performance of Poetry第98-139页
    4.1 The Kinetic Interpreters第98-108页
        4.1.1 Performer’s Kinetic Interpretation第98-104页
        4.1.2 Audience’s Kinetic Participation第104-108页
    4.2 Aural and Visual Performances Onstage第108-137页
        4.2.1 Aural Performance Onstage第108-130页
        4.2.2 Visual Performance Onstage第130-137页
    4.3 Summary第137-139页
Chapter Five Kinetic Aesthetics in Poetry Performance第139-164页
    5.1 Functions in Poetry Performance第139-151页
        5.1.1 The Acquirement of Pleasure第139-147页
        5.1.2 The Pleasure in Catharsis第147-151页
    5.2 Kinetic Aesthetics in Poetry Performance第151-162页
        5.2.1 Director and Performer’s Aesthetic Interpretation第152-158页
        5.2.2 Audience’s Reception第158-162页
    5.3 Summary第162-164页
Chapter Six The Experimental Poetry Performance第164-195页
    6.1 Howl at the Six Gallery第164-168页
    6.2 Annual Poetry Meeting第168-173页
    6.3 Slam Poetry第173-182页
    6.4 Poepera第182-195页
Conclusion第195-197页
Bibliography第197-201页
Acknowledgements第201页

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