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“中国文化形象”的重塑--形象学视角下《骆驼祥子》两个英译本对比研究

Acknowledgements第6-7页
Abstract第7-8页
摘要第9-13页
Chapter One Introduction第13-15页
Chapter Two Literature Review第15-23页
    2.1 Studies on English Versions of Luotuo Xiangzi第15-17页
    2.2 Studies on Imagology Abroad and at Home第17-21页
    2.3 Studies on Application of Imagology to Translation Studies第21-23页
Chapter Three Theoretical Framework第23-29页
    3.1 Key Terms of Imagology第23-26页
        3.1.1 Image第23-24页
        3.1.2 The Self and the Other第24-25页
        3.1.3 Imaginaire Social第25-26页
    3.2 Analysis from the Perspective of Imagology第26-29页
        3.2.1 Lexicons第26-27页
        3.2.2 Hierarchical Relations第27-28页
        3.2.3 Plots第28-29页
Chapter Four Reconstruction of the Image of Chinese Culture in Two Versions from the Perspective of Imagology第29-51页
    4.1 Image of Chinese Culture in Luotuo Xiangzi第29-32页
        4.1.1 About Luotuo Xiangzi the Novel第29-30页
        4.1.2 The Image of Chinese Culture Reflected in Luotuo Xiangzi第30-32页
    4.2 Two English Versions of Luotuo Xiangzi第32-35页
        4.2.1 Evan King's Rickshaw Boy第33-34页
        4.2.2 Howard Goldblatt's Rickshaw Boy第34-35页
    4.3 The Image of Chinese Culture in the Two English Translations第35-49页
        4.3.1 Lexicons第36-41页
        4.3.2 Hierarchical Relations第41-45页
        4.3.3 Plots第45-49页
    4.4 Summary第49-51页
Chapter Five Variations of the Image of Chinese Culture in the Two English Translations第51-59页
    5.1 An Analysis Based on Imaginaire Social第51-53页
    5.2 The Influence of the Translators第53-57页
        5.2.1 The Translator's Source of Information第54-56页
        5.2.2 The Translator's Attitude第56-57页
    5.3 Summary第57-59页
Chapter Six Conclusion第59-63页
    6.1 Contributions and Limitations of the Current Research第59-60页
    6.2 Prospect of the "Going out" of Chinese Literature第60-63页
        6.2.1 Importance of Translation: Construction of the Image of Culture第60-61页
        6.2.2 Strategies for the "Going out" of Chinese Literature第61-63页
Bibliography第63-67页

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