| Abstract | 第1-10页 |
| 摘要 | 第10-12页 |
| Introduction | 第12-15页 |
| Chapter One Development of the Term "Creative Treason" | 第15-21页 |
| ·Review of translation studies conducted by comparative literature scholars | 第15-18页 |
| ·The term "creative treason" and its development | 第18-21页 |
| Chapter Two Merit and Limitations of "Creative Treason" in Literary Translation | 第21-37页 |
| ·Reasons for creative treason in literary translation | 第21-26页 |
| ·Inexhaustible meaning of languages and their different special forms | 第21-24页 |
| ·Special features of literary language | 第24页 |
| ·Translators' capability, attitudes and purposes | 第24-26页 |
| ·Special merit compared with traditional translation study | 第26-34页 |
| ·Different perspectives, focuses and purposes of research on creative treason | 第26-29页 |
| ·Special contribution of creative treason | 第29-34页 |
| ·Limitations of "creative treason" in literary translation | 第34-37页 |
| ·Vague definition of "creative treason" | 第34-35页 |
| ·Little significance for translation practice | 第35-37页 |
| Chapter Three Relationship between Creative Treason and Fidelity Principle in Traditional Translation Theories | 第37-53页 |
| ·Roles of creative treason and fidelity in two phases of translation | 第37-41页 |
| ·Discussions about the relationship between creative treason and fidelity in western traditional translation theories | 第41-47页 |
| ·Marcus Tullius Cicero's translation theory | 第41-43页 |
| ·Tytler's translation theory | 第43-45页 |
| ·Brief summary | 第45-47页 |
| ·Discussions about the relationship between creative treason and fidelity in Chinese traditional translation theories | 第47-53页 |
| ·Yah Fu's three-word principle of translation | 第47-48页 |
| ·Mao Dun's translation theory | 第48-51页 |
| ·Brief summary | 第51-53页 |
| Chapter Four Suggestion: Limited and Effective "Creative Treason" in Literary Translation | 第53-63页 |
| ·Limited creative treason: the author is not dead | 第53-54页 |
| ·Effective creative translation: value-addition of the original work | 第54-56页 |
| ·Translation with personal characteristics: integration of fidelity and creative treason | 第56-59页 |
| ·Creative treason: from the perspective of readers | 第59-63页 |
| ·Characteristics of times in creative treason | 第60-61页 |
| ·Influence of the poetics of target language on creative treason | 第61-63页 |
| Conclusion | 第63-65页 |
| Bibliography | 第65-68页 |
| Acknowledgements | 第68-69页 |
| 学位论文评阅及答辩情况表 | 第69页 |