| 摘要 | 第1-6页 |
| Abstract | 第6-8页 |
| Contents | 第8-11页 |
| Introduction | 第11-14页 |
| Chapter 1 Literature Review | 第14-20页 |
| ·Status Quo of the Studies on Aesthetics of Translation | 第14-16页 |
| ·A Brief Review of Ancient Chinese Classics Translation | 第16-20页 |
| Chapter 2 The Aesthetic Translation Theories of Lin Yutang | 第20-31页 |
| ·Lin Yutang's Representative Work:On Translation | 第20-22页 |
| ·Lin's Translation Notion Based on Bicultural Aesthetics | 第22-25页 |
| ·Lin Yutang's Complex of Aesthetics | 第25-31页 |
| ·Western Culture's Influence on Lin's Aesthetic Belief | 第25-27页 |
| ·Chinese Traditional Culture's Influence on Lin's Aesthetic Belief | 第27-31页 |
| ·Confucianism | 第28页 |
| ·Taoism | 第28-29页 |
| ·Harmony—the Most Significant Aspect of Chinese Aesthetics | 第29-31页 |
| Chapter3 The Aesthetic Analysis of Essays in the Ming and Qing Dynasties | 第31-43页 |
| ·A Brief History of Classic Essays in Ancient Literature | 第31-33页 |
| ·The Aesthetic Features of Classic Essays in the Ming and Qing Dynasties | 第33-37页 |
| ·Nature World—the Theme of the Essay | 第34页 |
| ·Following Nature—No Dogma for Essay Writing | 第34-36页 |
| ·Nature—the Spirit of the Essay | 第36-37页 |
| ·Lin Yutang's Partiality to Essays | 第37-43页 |
| ·Lin's Favor of Classic Essays in the Ming and Qing Dynasties | 第37-40页 |
| ·Lin's Essay Translation Works | 第40-43页 |
| Chapter4 The Aesthetic Reproduction in the Translation of Classic Essays inthe Ming and Qing Dynasties | 第43-68页 |
| ·The Aesthetic Reproduction of Aesthetic Elements in the Translation | 第43-55页 |
| ·The Beauty of the Picturesqueness | 第44-48页 |
| ·The Beauty of Color | 第44-46页 |
| ·The Beauty of Visual Images | 第46-48页 |
| ·The Aesthetic Reproduction of Auditory Beauty | 第48-53页 |
| ·The Aesthetic Reproduction of Auditory Images | 第48-52页 |
| ·The Harmonious Beauty between Rhythm and Meters | 第52-53页 |
| ·The Reproduction of Aesthetic Taste | 第53-55页 |
| ·The Aesthetic Reproduction in the Process of Emotional Communication | 第55-60页 |
| ·The Aesthetic Reproduction of Integrity | 第56-58页 |
| ·The Aesthetic Beauty of Hobby and Mind | 第58-60页 |
| ·The Construction of Harmonious Beauty | 第60-68页 |
| ·The Harmonious Beauty between Form and Content—Unity in Lexical and Syntactical Level | 第60-62页 |
| ·The Harmonious Beauty between Picturesqueness and Spirit—Profound Emotion from Rhetorical Devices | 第62-64页 |
| ·The Harmonious Beauty between Nature and Human—Easy and Free Style | 第64-68页 |
| Conclusion | 第68-70页 |
| Notes | 第70-72页 |
| Bibliography | 第72-74页 |
| Acknowledgements | 第74-75页 |
| 攻读学位期间主要研究成果目录 | 第75页 |
