| Abstract | 第1-8页 |
| Ⅰ Introduction | 第8-9页 |
| Ⅱ The Blending Space Theory | 第9-23页 |
| ·Conceptual Metaphor Theory & Blending Space Theory | 第9-10页 |
| ·The Statement Of Blending Space Theory | 第10-16页 |
| ·The Essential Aspect Of Blending Space Theory | 第16-19页 |
| ·The Principle Of Blending Space Theory | 第19-23页 |
| Ⅲ Theory Of Image | 第23-35页 |
| ·Image In Chinese Ancient Poetry | 第23-29页 |
| ·The Source Of Image | 第24-26页 |
| ·The Combination Of Image | 第26-28页 |
| ·The Artistic Feature Of Image | 第28-29页 |
| ·The Aesthetic Function Of Image | 第29页 |
| ·Image In The Imagism | 第29-32页 |
| ·Comparative Image In Chinese Poetry And In Imagism | 第32-35页 |
| Ⅳ Blending In English Translation Of Poetic Image | 第35-48页 |
| ·Author's Two Blending Processes | 第35-37页 |
| ·Blending Of'Yi' And 'Xiang' | 第35-36页 |
| ·Blending Of Poetic Thought And Grammar | 第36-37页 |
| ·Blending Of Image In Reader's Comprehending Process | 第37-40页 |
| ·Theory Of Translation From Blending Theory Perspective | 第40页 |
| ·Translator's Two Blending Processes | 第40-43页 |
| ·Different Poetry Translation Tendencies | 第43-47页 |
| ·Different Grammar Decide Different Version | 第43-46页 |
| ·Questionnaire Data Analysis On Two Versions | 第46-47页 |
| ·Impact Of Imagism On translation | 第47页 |
| ·Limitation Of Blending Theory In Poetry Translation | 第47-48页 |
| Ⅴ Conclusion | 第48-50页 |
| Bibliography | 第50-52页 |
