| Acknowledgments | 第6-7页 |
| Abstract of the Thesis | 第7页 |
| Introduction | 第8-23页 |
| Ⅰ． Representation，Reality and the Position of Black Cinema | 第8-16页 |
| Ⅱ． “The Spike Lee Discourse” | 第16-19页 |
| Ⅲ． Methodology and Structure | 第19-23页 |
| ChapterⅠ Retrospection，Contestation and Reaction：Hollywood's Stereotyping of Blackness | 第23-42页 |
| 1．1． Hollywood's Construction of Black Masculinity | 第24-30页 |
| 1．1．1． Animalization：Black evils and malicious mulattos | 第24-26页 |
| 1．1．2． Infantilization：low comics and entertaining roles | 第26-28页 |
| 1．1．3． Masculinity in protection：the noble images and the buddy formula | 第28-30页 |
| 1．2． Hollywood's Construction of Black Femininity | 第30-33页 |
| 1．2．1． Desexualized body：the Mummy roles | 第30-31页 |
| 1．2．2． Sexualized persona：fetishization of color | 第31-33页 |
| 1．3． Fighting Back：Contestation and Reaction | 第33-42页 |
| 1．3．1． Race movies：where the struggle begins | 第33-35页 |
| 1．3．2． The blaxploitation era：the problematics of “Black hero” | 第35-37页 |
| 1．3．3． Black independent filmmaking：transgressions and dilemmas | 第37-40页 |
| 1．3．4． Black commercial independents：where Spike Lee springs up | 第40-42页 |
| ChapterⅡ Interpreting “the Spike Lee Discourse”：A Unique African American Perspective | 第42-67页 |
| 2．1． Thematic Construction：With Black Sensitivity and Complexity Embedded | 第43-60页 |
| 2．1．1． Representing Black female sexuality：She's Gotta Have It | 第43-50页 |
| 2．1．2． Visualizing Whiteness：Do The Right Thing | 第50-55页 |
| 2．1．3． De-essentializing Black identity：Girl 6 | 第55-60页 |
| 2．2． Stylized Cinematic Apparatus | 第60-67页 |
| 2．2．1． Interruption and intrusion | 第60-64页 |
| 2．2．2． Improvisation and fluidity | 第64-67页 |
| ChapterⅢ Problematizing “the Spike Lee Discourse”：A（C）overt Patrifocal Narrative | 第67-78页 |
| 3．1． Powerless and Nonthreatening Black Female Agency | 第68-73页 |
| 3．2． Glorification of Black Male Characters | 第73-78页 |
| ChapterⅣ Decoding Lee's Success：The Black Man's Burden？ | 第78-86页 |
| 4．1． Peripheral Status as an Advantage | 第79-81页 |
| 4．2． Maintaining Commercial Viability：Artist plus Entrepreneur | 第81-83页 |
| 4．3． Spokesman for African Americans：the Black Man's Burden or a New Hegemony？ | 第83-86页 |
| Conclusion | 第86-90页 |
| Bibliography | 第90-93页 |
| AppendixⅠ | 第93-94页 |
| AppendixⅡ | 第94-95页 |
