| Acknowledgement | 第4-5页 |
| 摘要 | 第5-6页 |
| Abstract | 第6-7页 |
| Ⅰ. Introduction | 第11-19页 |
| 1.1 Research Subject and Significance | 第11-13页 |
| 1.2 Literature Review | 第13-16页 |
| 1.3 Methodology | 第16页 |
| 1.4 Definitions | 第16-17页 |
| 1.5 Thesis Structure | 第17-19页 |
| Ⅱ. British Music:Historical Legacies and Attractions | 第19-28页 |
| 2.1 Before the 1920s: The Music Hall Tradition | 第19-20页 |
| 2.2 The 1930s to 1950s:Jazz and Rock' n' roll | 第20-21页 |
| 2.3 The 1960s:Legend of Beatlemania and the British Invasion | 第21-23页 |
| 2.4 The 70s and 80s:Glam Rock, Punk and Diversification of Genres | 第23-26页 |
| 2.5 The 1990s: Britpop Ruled the World | 第26-28页 |
| Ⅲ. Great Achievements of British Music in the 21~(st) Century | 第28-37页 |
| 3.1 Economic Contribution and Global Influence | 第28-31页 |
| 3.2 Star Singers and Bands in the 21~(st) Century | 第31-33页 |
| 3.3 Soft Power Promotion: Music Miracle at the 2012 Olympic Games | 第33-37页 |
| Ⅳ. Unique Features of UK Top Singles 2000-2015 | 第37-46页 |
| 4.1 Domination of British Talents | 第38-39页 |
| 4.2 Genre Concentration and Diversification | 第39-40页 |
| 4.3 New Channels to Stardom: Talent Shows | 第40-41页 |
| 4.4 Love Continues to Sell: Theme Analysis | 第41-46页 |
| Ⅴ. Government Policies and the Role of Government | 第46-52页 |
| 5.1 Historical Efforts | 第46-47页 |
| 5.2 Government Policies | 第47-50页 |
| 5.3 2012 London Olympic Games | 第50-52页 |
| Ⅵ. Music Industry Management | 第52-63页 |
| 6.1 Music as Business | 第52-55页 |
| 6.2 Major Record Labels in Britain and Their roles | 第55-60页 |
| 6.3 Embracing the Digital Age | 第60-63页 |
| Ⅶ. Conclusion | 第63-67页 |
| Works Cited | 第67-72页 |
| Appendix1: Major Grammy Awards by British Artists (2000-2014) | 第72-74页 |
| Appendix2: Self-built Database Containing 459 Songs of the UK No.1 Singles Chart(2000-2015) | 第74-95页 |
