| 摘要 | 第1-5页 |
| Abstract | 第5-10页 |
| Chapter One Introduction | 第10-14页 |
| ·Research Background | 第10-11页 |
| ·Theoretical Framework | 第11页 |
| ·Aims of the Research | 第11-12页 |
| ·Data and Methodology | 第12-14页 |
| Chapter Two Profile of Chinese Film Titles | 第14-24页 |
| ·Introduction to Films | 第14-15页 |
| ·Film Genres | 第15-16页 |
| ·Specific Roles of Film Titles | 第16-17页 |
| ·Functions of Film Titles | 第17-19页 |
| ·Informative Function | 第17-18页 |
| ·Expressive Function | 第18页 |
| ·Aesthetic Function | 第18页 |
| ·Vocative Function | 第18-19页 |
| ·Naming Approaches of Film Titles | 第19-20页 |
| ·Comprehensive Way | 第19页 |
| ·Analytical Way | 第19-20页 |
| ·The Differences between Chinese and English Film Titles | 第20-22页 |
| ·The Differences in Length | 第21页 |
| ·The Differences in Naming Approach | 第21-22页 |
| ·Current Film Title Translation Research | 第22-24页 |
| Chapter Three Theoretical Framework | 第24-36页 |
| ·The Stages of Functionalist Skopostheorie | 第24-26页 |
| ·Basic Concepts of Skopostheorie | 第26-31页 |
| ·Skopos | 第26页 |
| ·Guiding Principles | 第26-28页 |
| ·The Skopos Rule | 第27页 |
| ·Coherence and Fidelity | 第27-28页 |
| ·Function plus Loyalty Rule | 第28页 |
| ·Translating and the Theory of Action | 第28-30页 |
| ·Translating as Intentional Interaction | 第28-29页 |
| ·Translating as a Communicative Interaction | 第29页 |
| ·Translating as an Intercultural Action | 第29-30页 |
| ·Adequacy Being the Standard of Translation | 第30-31页 |
| ·Merits of Skopostheorie | 第31-33页 |
| ·Change of the Status of Source Text and Target Text | 第31-32页 |
| ·Flexibility in Choosing Translation Strategies | 第32页 |
| ·Changes from Source-orientation to Target-orientation | 第32-33页 |
| ·Researches on Skopostheorie in China | 第33-36页 |
| Chapter Four Application of the Skopostheorie to the Translation of Chinese Film Titles | 第36-62页 |
| ·A Skopostheorie Approach to Chinese Film Title Translation | 第36-38页 |
| ·Chinese Film Title Translation as a Purposeful Activity | 第36-38页 |
| ·Chinese Film Title Translation as an Intercultural Action | 第38页 |
| ·Three Aspects Fulfilling Functions of Chinese Film Title Translation | 第38-51页 |
| ·Culture Awareness | 第39-45页 |
| ·Cultural Distinctions Reflected in Chinese Film Title Translation | 第39-40页 |
| ·Cultural Connotation in Chinese Film Title Translation | 第40-42页 |
| ·Cultural Adaptation | 第42-45页 |
| ·Suggested Principles for Cultural Distinction | 第45页 |
| ·Information Transferring | 第45-48页 |
| ·Informing the Audience the Genre of the Film | 第45-46页 |
| ·Informing the Audience the Main Plot of the Film | 第46-47页 |
| ·Informing the Audience Background Information | 第47-48页 |
| ·Suggested Principles for Dealing with Information Transferring | 第48页 |
| ·Aesthetic Aspect | 第48-51页 |
| ·Beauty of Form | 第49-50页 |
| ·Beauty of Content | 第50页 |
| ·Suggested Principles for Dealing with Aesthetic Aspect | 第50-51页 |
| ·Techniques Employed in the Translation of Chinese Film Titles | 第51-62页 |
| ·Analysis of Transliteration from the Skopostheorie Perspective | 第51-52页 |
| ·Analysis of Literal Translation from the Skopostheorie Perspective | 第52-55页 |
| ·Analysis of Liberal Translation from the Skopostheorie Perspective | 第55-62页 |
| ·Analysis of Combination of Transliteration and Liberal Translation from the Skopostheorie Perspective | 第55-56页 |
| ·Analysis of the Combination of Literal Translation and Liberal Translation from the Skopostheorie Perspective | 第56-58页 |
| ·Analysis of Adaptation from the Skopostheorie Perspective | 第58-62页 |
| Chapter Five Conclusion | 第62-66页 |
| ·Summary | 第62-63页 |
| ·Limitation of the Thesis and Suggestion for Future Study | 第63-66页 |
| Acknowledgements | 第66-68页 |
| Bibliography | 第68-72页 |
| Publications | 第72页 |
