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韩斌英译《金陵十三钗》中的杂合现象研究

ABSTRACT第3页
摘要第4-5页
ACKNOWLEDGEMENTS第5-8页
CHAPTER ONE INTRODUCTION第8-12页
    1.1 Research background第8页
    1.2 The significance of the study第8-9页
    1.3 Research questions and research methodology第9-10页
        1.3.1 Research questions第9页
        1.3.2 Research methodology第9-10页
    1.4 Structure of the thesis第10-12页
CHAPTER TWO LITERATURE REVIEW第12-18页
    2.1 Previous studies on Yan Geling’ Jin Ling Shi San Chai第12-13页
        2.1.1 An introduction to Yan Geling and her works第12页
        2.1.2 Previous studies on Jin Ling Shi San Chai第12-13页
    2.2 Previous studies on Nicky Harman’ The Flowers of War第13-14页
        2.2.1 An introduction to Nicky Harman第13页
        2.2.2 Previous studies on The Flowers of War第13-14页
    2.3 Previous studies on hybridity第14-18页
        2.3.1 Previous studies on hybridity at home第14-16页
        2.3.2 Previous studies on hybridity abroad第16-18页
CHAPTER THREE THEORETICAL FRAMEWORK第18-25页
    3.1 The origin of hybridity theory第18-20页
    3.2 Hybridity in translation studies第20-25页
        3.2.1 Concept of hybridity in translation第20-21页
        3.2.2 Two types of hybridity in literary translation第21-23页
        3.2.3 The indispensable hybridity in literary translation第23-25页
CHAPTER FOUR MANIFESTATIONS OF HYBRIDITY IN THE FLOWERS OFWAR第25-56页
    4.1 The analysis of hybridity in The Flowers of War第25-47页
        4.1.1 Hybridity of language第25-35页
        4.1.2 Hybridity of Culture第35-45页
        4.1.3 Hybridity of literariness第45-47页
    4.2 Factors contributing to the hybridity in The Flowers of War第47-56页
        4.2.1 Internal factors第48-52页
        4.2.2 External factors第52-56页
CHAPTER FIVE CONCLUSION第56-60页
    5.1 Implication of hybridity on literary translation第56-58页
        5.1.1 The optimization of target language culture第56-57页
        5.1.2 Resistance against cultural hegemony第57页
        5.1.3 Appropriate degree of hybridity in translation第57-58页
    5.2 Conclusion第58-60页
REFERENCES第60-63页

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