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鲁迅《呐喊》与乔伊斯《都柏林人》中色彩隐喻文学意义的比较研究

摘要第3-4页
Abstract第4-5页
Introduction第8-14页
Chapter One The Reasons for Comparing Color Metaphors in the Two Works第14-22页
    1.1 Color Metaphors in the Two Collections第14-17页
    1.2 Similarity in the Experiences of the Two Authors第17-19页
    1.3 Similarity in the Background and Themes of the Two Collections第19-22页
Chapter Two The Literary Significance of Color Metaphors in the Two Works第22-32页
    2.1 Creation of Environment第23-25页
        2.1.1 Description of Natural Environment第23-24页
        2.1.2 Enhancement of Social Environment第24-25页
    2.2 Portrayal of Characters第25-32页
        2.2.1 Portrayal of the Appearance of Characters第25-27页
        2.2.2 Presentation of the Psychology of Characters第27-29页
        2.2.3 Reference to the Characters第29-32页
Chapter Three The Comparison of Color Metaphors in the Two Works第32-42页
    3.1 Similarities第32-37页
        3.1.1 Black and Hei(黑)第32-34页
        3.1.2 White and Bai(白)第34-36页
        3.1.3 Red and Hong(红)第36-37页
    3.2 Differences第37-42页
        3.2.1 Green and Lu(绿)第37-38页
        3.2.2 Red and Hong(红)第38-39页
        3.2.3 White and Bai(白)第39-40页
        3.2.4 Blue,Green and Qing(青)第40-42页
Chapter Four The Causes of Similarities and Differences in Chinese and EnglishColor Metaphors第42-50页
    4.1 Causes of the Similarities第42-44页
        4.1.1 Bodily Experiences第42-43页
        4.1.2 Color Archetypes第43-44页
    4.2 Causes of the Differences第44-50页
        4.2.1 National Cognition第44-46页
        4.2.2 Cultural Cognition第46-48页
        4.2.3 Individual Cognition第48-50页
Conclusion第50-52页
Bibliography第52-55页
Achievements第55-56页
Acknowledgments第56-57页

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