| 摘要 | 第1-7页 |
| Abstract | 第7-9页 |
| Introduction | 第9-14页 |
| ·Introduction of Pound’s Cathay | 第9-11页 |
| ·Literature Review | 第11-13页 |
| ·Thesis Statement | 第13-14页 |
| Chapter One Gadamer’s Hermeneutics | 第14-23页 |
| ·Definition of Hermeneutics | 第15-16页 |
| ·The Formation and Development of Hermeneutics | 第16-21页 |
| ·Hermeneutics Applied in This Thesis | 第21-23页 |
| Chapter Two The Differences Between Pound’s Translated Works andLi’s Original Works | 第23-36页 |
| ·Differences in Writing Motivation | 第24-27页 |
| ·Poetry Reform—Imagism | 第24-25页 |
| ·Portrayal of the Europeans’ Mood during the First World War | 第25-27页 |
| ·Differences in Language Styles | 第27-36页 |
| ·Differences in Diction | 第27-30页 |
| ·Differences in Artistic Conception | 第30-35页 |
| ·Differences in Musical Rhythm | 第35-36页 |
| Chapter Three The Influence of Pound’s Preunderstanding on His Interpretation | 第36-44页 |
| ·Pound’s Poetic Proposals | 第37-41页 |
| ·Pound’s Cosmopolitanism and Historicism | 第37-40页 |
| ·Pound’s Imagism and Vorticism | 第40-41页 |
| ·Pound’s Chinese Complex | 第41-44页 |
| ·Research for Chinese Culture | 第41-42页 |
| ·Study of Chinese Poetry | 第42-44页 |
| Chapter Four The Fusion of Horizons in the Interpretation Process | 第44-56页 |
| ·Pound’s Principles on Poetry Creation | 第46-49页 |
| ·The Principle of Free Verse | 第46-47页 |
| ·The Principle of Imagism | 第47-49页 |
| ·The Principle of Lyrics | 第49页 |
| ·Pound’s Imagist Characteristics | 第49-56页 |
| ·Direct Reference to“Things” | 第50-52页 |
| ·Avoidance of Superfluous Words | 第52-54页 |
| ·Adoption of Musical Rhythm | 第54-56页 |
| Conclusion | 第56-57页 |
| Works Cited | 第57-59页 |
| 攻读硕士学位期间所发表的学术论文 | 第59-61页 |
| Acknowledgements | 第61页 |
