| Acknowledgements | 第1-6页 |
| Abstract | 第6-7页 |
| 摘要 | 第7-10页 |
| Introduction | 第10-14页 |
| ·Research Background | 第10-11页 |
| ·Research Significance | 第11页 |
| ·Research Objectives | 第11页 |
| ·Organization of the Thesis | 第11-14页 |
| Chapter 1 Literature Review | 第14-22页 |
| ·Drama and Drama Translation | 第14-16页 |
| ·The Development and Features of Drama Translation | 第16-18页 |
| ·Current Studies on Drama Translation | 第18-22页 |
| Chapter 2 Theoretical Framework | 第22-30页 |
| ·Core Concepts of Theatre Semiotics | 第22-27页 |
| ·Notion of Semiotics | 第23-24页 |
| ·Theatre Semiotics | 第24-27页 |
| ·Theatre Semiotics and Drama Translation | 第27-30页 |
| Chapter 3 Drama Verbal Signs and Drama Translation | 第30-50页 |
| ·Drama Language and Drama Translation | 第30-46页 |
| ·Drama Lines and Drama Translation | 第30-42页 |
| ·Functions of Drama Language and Drama Translation | 第42-46页 |
| ·Stage Direction of Drama and Drama Translation | 第46-50页 |
| Chapter 4 Drama Nonverbal Signs and Drama Translation | 第50-58页 |
| ·Paralinguistic Signs of Drama and Drama Translation | 第50-53页 |
| ·Speech Substitution and Drama translation | 第50-53页 |
| ·Speech Segment Signs and Drama Translation | 第53页 |
| ·Spatio-temporal Limitations of and Drama Translation | 第53-55页 |
| ·Acceptability of Audiences and Drama translation | 第55-58页 |
| Chapter Five Implications of Theatre Semiotics for Drama Translation | 第58-69页 |
| ·Methods of Drama Translation | 第58-62页 |
| ·Addition | 第58-60页 |
| ·Omission | 第60-61页 |
| ·Explanation | 第61-62页 |
| ·Diversification of Drama Translation | 第62-64页 |
| ·Transformation from Drama Text to Performance | 第64-69页 |
| ·The Relationship between Drama Text and Performance | 第64-67页 |
| ·Performability and Drama Translation | 第67-69页 |
| Conclusion | 第69-71页 |
| Bibliography | 第71-75页 |
| Appendix (A) | 第75-77页 |
| Appendix (B) | 第77-79页 |
