| Acknowledgement | 第1-5页 |
| Abstract | 第5-10页 |
| Chapter 1 Introduction | 第10-32页 |
| ·Language and Literature | 第10-14页 |
| ·The Special Relation of Language and Literature | 第10-11页 |
| ·The Language of Literature | 第11-13页 |
| ·Literature as Text and as Discourse | 第13-14页 |
| ·Pragmatics Concerning Literary Study | 第14-21页 |
| ·The Trouble with Stylistics | 第15-16页 |
| ·Pragmastylistics as an Interdisciplinary Approach | 第16-21页 |
| ·Drama as Art | 第21-30页 |
| ·Drama as Theatrical Art | 第22-24页 |
| ·Drama as Literary Art | 第24-25页 |
| ·Drama as Verbal Art | 第25-27页 |
| ·Hamlet | 第27-30页 |
| ·Purpose of the Thesis | 第30-31页 |
| ·Organization of the Thesis | 第31-32页 |
| Chapter 2 Literature Review | 第32-54页 |
| ·Interpersonal Rhetorics | 第32-37页 |
| ·Rhetoric and Rhetorics | 第32-34页 |
| ·Interpersonality | 第34-37页 |
| ·Cooperative Principle | 第37-39页 |
| ·The Politeness Principle | 第39-43页 |
| ·Cooperativeness and Politeness | 第43-45页 |
| ·Relevance Principle | 第45-48页 |
| ·Interpersonal Rhetoric in and of Literature | 第48-54页 |
| Chapter 3 Pragmastylistic Analysis of Drama | 第54-72页 |
| ·The Study of Drama | 第54-57页 |
| ·The Language of Plays | 第57-63页 |
| ·Stage Directions as Part of Drama | 第58-60页 |
| ·Soliloquy as Communication | 第60页 |
| ·Dialogue as Communication | 第60-61页 |
| ·Fictional Dialogue and Natural Conversation | 第61-63页 |
| ·Communication in and of the Play | 第63-69页 |
| ·Approaches Taken in the Present Study | 第69-72页 |
| Chapter 4 Dialogues and Interpersonal Rhetoric in Hamlet | 第72-89页 |
| ·The Prince—King Relationship | 第73-78页 |
| ·The Prince—Queen Relationship | 第78-82页 |
| ·The Prince—Lover Relationship | 第82-84页 |
| ·Hamlet and Laertes | 第84-86页 |
| ·Polonius and Reynaldo | 第86-89页 |
| Chapter 5 Soliloquies and Interpersonal Rhetoric in Hamlet | 第89-101页 |
| ·Soliloquy One | 第89-92页 |
| ·Soliloquy Two | 第92-93页 |
| ·Soliloquy Three | 第93-95页 |
| ·Soliloquy Four | 第95-96页 |
| ·Soliloquy Five | 第96-98页 |
| ·Soliloquy Six | 第98-99页 |
| ·Claudius's Soliloquies | 第99-101页 |
| Chapter 6 Stage Directions and Interpersonal Rhetoric in Hamlet | 第101-107页 |
| ·Stage Directions | 第102-104页 |
| ·Performance Instructions | 第104-105页 |
| ·Implied Directions | 第105-107页 |
| Chapter 7 Conclusion | 第107-112页 |
| Bibliography | 第112-115页 |
