| Acknowledgements | 第1-6页 |
| 摘要 | 第6-8页 |
| Abstract | 第8-11页 |
| Contents | 第11-13页 |
| Chapter One Introduction | 第13-19页 |
| ·The Topic of the Study | 第13页 |
| ·The Literature review | 第13-16页 |
| ·The Studies on Conceptual Blending Theory | 第14-15页 |
| ·The Studies on Ancient Chinese Poems and Lyrics from the Perspective of CBT | 第15-16页 |
| ·The General Purpose and Significance of the Study | 第16-17页 |
| ·Methodology and Data Collection | 第17页 |
| ·The Organization of the Thesis | 第17-19页 |
| Chapter Two Conceptual Blending Theory | 第19-42页 |
| ·Introduction | 第19页 |
| ·Theoretical Background of Blending Theory | 第19-22页 |
| ·Theoretical Framework of Blending Theory | 第22-33页 |
| ·A Four-Space Model of Blending Theory | 第22-23页 |
| ·The Elements of Conceptual Blending | 第23-33页 |
| ·Mental Spaces | 第23-25页 |
| ·Cross-Space Mapping | 第25-27页 |
| ·Selective Projection and Generic Space | 第27页 |
| ·Vital Relations and Compression | 第27-30页 |
| ·Blending and Emergent Meaning | 第30-33页 |
| ·A Four-Type Taxonomy of Blending Networks | 第33-34页 |
| ·The Principles of Conceptual Blending | 第34-38页 |
| ·Constitutive Principles | 第35页 |
| ·Governing Principles | 第35-38页 |
| ·The Latest Development of Blending Theory | 第38-41页 |
| ·Material Anchors in Conceptual Blending | 第38-40页 |
| ·Polarization, Disintegration and Blending | 第40-41页 |
| ·Summary | 第41-42页 |
| Chapter Three A Survey of the Study of Ancient Chinese Poems and Lyrics | 第42-53页 |
| ·Introduction | 第42页 |
| ·The Traditional Perspectives of Poetic Analysis | 第42-48页 |
| ·The Aesthetic Perspective | 第42-44页 |
| ·The Socio-Cultural Perspective | 第44-45页 |
| ·The Rhetorical or Stylistic Perspective | 第45-48页 |
| ·The Perspective of Cognitive Poetics | 第48-51页 |
| ·Summary | 第51-53页 |
| Chapter Four CBT and Its Interpretation of Ancient Chinese Poems and Lyrics | 第53-72页 |
| ·Introduction | 第53页 |
| ·Blending and Images in Poems | 第53-59页 |
| ·Blending and Tropes in Poems | 第59-65页 |
| ·Compression and Coherence in Poems | 第65-68页 |
| ·Principles, Inference and Emergent Meaning in Poems | 第68-71页 |
| ·Summary | 第71-72页 |
| Chapter Five Case Studies | 第72-82页 |
| ·Introduction | 第72页 |
| ·Case One:Zeng Wang Lun by Li Bai | 第72-75页 |
| ·Case Two: Written on the Wall at West Forest Temple by Su Shi | 第75-78页 |
| ·Case Three: Tune: Tian Jing Sha by Ma Zhiyuan | 第78-81页 |
| ·Summary | 第81-82页 |
| Chapter Six Conclusion | 第82-84页 |
| ·A Summary of the Thesis | 第82页 |
| ·The Limitations of the Study | 第82-83页 |
| ·The Future Prospects | 第83-84页 |
| Bibliography | 第84-87页 |
| 在校期间的研究成果及发表的学术论文 | 第87页 |
