| Acknowledgements | 第4-5页 |
| Abstract | 第5-6页 |
| 摘要 | 第7-11页 |
| Chapter 1 Introduction | 第11-17页 |
| 1.1 Research background | 第11-14页 |
| 1.2 Purpose and significance of the research | 第14-15页 |
| 1.3 Organization of the paper | 第15-17页 |
| Chapter 2 Literature Review | 第17-29页 |
| 2.1 Multimodal Discourse Analysis | 第17-20页 |
| 2.1.1 Definition of Multimodality and Multimodal Discourse Analysis | 第17-18页 |
| 2.1.2 Foreign Studies on Multimodal Discourse Analysis | 第18-19页 |
| 2.1.3 Domestic Studies on Multimodal Discourse Analysis | 第19-20页 |
| 2.2 Theoretical Framework---- Visual Grammar | 第20-26页 |
| 2.2.1 Representational Meaning | 第21-23页 |
| 2.2.2 Interactive Meaning | 第23-25页 |
| 2.2.3 Compositional Meaning | 第25-26页 |
| 2.3 Early Studies on Movie Poster Analysis | 第26-27页 |
| 2.4 Summary | 第27-29页 |
| Chapter 3 Case Studies on Movie Posters | 第29-54页 |
| 3.1 A Synthetic Analysis on Posters of City of Life and Death | 第29-38页 |
| 3.1.1 The Representational meaning of Posters of City of Life and Death | 第29-31页 |
| 3.1.2 The Interactive meaning of Posters of City of Life and Death | 第31-36页 |
| 3.1.3 The Compositional Meaning of the Posters of City of Life and Death | 第36-38页 |
| 3.2 A Synthetic Analysis on Posters of War Horse | 第38-43页 |
| 3.2.1 The Representational Meaning of Posters of War Horse | 第39页 |
| 3.2.2 The Interactive Meaning of Posters of War Horse | 第39-41页 |
| 3.2.3 The Compositional Meaning of the Posters of War Horse | 第41-43页 |
| 3.3 A Synthetic Analysis on Posters of The Taking of Tiger Mountain | 第43-48页 |
| 3.3.1 The Representational Meaning of Posters of The Taking of Tiger Mountain | 第43-44页 |
| 3.3.2 The Interactive Meaning of Posters of The Taking of Tiger Mountain | 第44-47页 |
| 3.3.3 The Compositional Meaning of the Posters of The Taking of Tiger Mountain | 第47-48页 |
| 3.4 A Synthetic Analysis on Posters of Fury | 第48-53页 |
| 3.4.1 The Representational Meaning of the Posters of Fury | 第50页 |
| 3.4.2 The Interactive Meaning of the Posters of Fury | 第50-52页 |
| 3.4.3 The Compositional Meaning of the Posters of Fury | 第52-53页 |
| 3.5 Summary | 第53-54页 |
| Chapter 4 Cultural Influences on Meaning of War Movie Posters | 第54-58页 |
| 4.1 Different War Views between China and Western Countries | 第54-56页 |
| 4.1.1 Differences in Cognition of War Root-cause | 第54-55页 |
| 4.1.2 Differences in Guiding Tactic of War | 第55页 |
| 4.1.3 Respecting for Life and Taking righteousness | 第55-56页 |
| 4.2 Other Cultural Influences on War Movie Posters | 第56-57页 |
| 4.2.1 Religious Beliefs | 第56页 |
| 4.2.2 Individualism and Collectivism | 第56-57页 |
| 4.3 Differences about Meaning-making of War Movie Posters | 第57页 |
| 4.4 Summary | 第57-58页 |
| Chapter 5 Conclusion | 第58-61页 |
| 5.1 Major Findings of the Present Study | 第58-59页 |
| 5.2 Limitations and Suggestions for the Further Study | 第59-61页 |
| References | 第61-65页 |
| 攻读硕士学位期间的科研成果 | 第65页 |
