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视域融合下《赵氏孤儿》在欧洲的阐释--以英、法版本为例

摘要第6-7页
Abstract第7-8页
CHAPTER ONE INTRODUCTION第11-19页
    1.1 Previous Studies on the Translation of The Orphan of Zhao第11-15页
    1.2 Objectives and Methodology of the Study第15-17页
    1.3 Significance of the Study第17-18页
    1.4 Layout of the Thesis第18-19页
CHAPTER TWO THEORETICAL FRAMEWORK OF FUSION OF HORIZONS第19-25页
    2.1 Introduction to Hermeneutics第19-20页
    2.2 Definition and Characteristics of the Horizon第20-21页
    2.3 Fusion of Horizons第21-22页
    2.4 Fusion of Horizons in Translation Studies第22-25页
CHAPTER THREE THE ORPHAN OF ZHAO AND ITS ENGLISH AND FRENCHVERSIONS第25-35页
    3.1 Introduction to The Orphan of Zhao第25-28页
        3.1.1 Development of The Orphan of Zhao第25-26页
        3.1.2 Plot of The Orphan of Zhao第26-27页
        3.1.3 Artistic Features of The Orphan of Zhao第27-28页
    3.2 The Horizon of The Orphan of Zhao第28-31页
        3.2.1 Historical Background of Ji Junxiang第29-30页
        3.2.2 Social and Political Implications of The Orphan of Zhao第30-31页
    3.3 Three Versions of The Orphan of Zhao in Europe第31-35页
        3.3.1 Joseph de Premare and Tchao-Chi-Cou-Ell第31-32页
        3.3.2 Voltaire and L'Orphelin de la Chine第32-33页
        3.3.3 Arthur Murphy and The Orphan of China第33-35页
CHAPTER FOUR THE ANALYSIS OF THREE VERSIONS OF THE ORPHAN OFZHAO FROM THE PERSPECTIVE OF FUSION OF HORIZONS第35-65页
    4.1 The Horizons of Three Translators第35-43页
        4.1.1 The Horizon of Premare第35-38页
        4.1.2 The Horizon of Voltaire第38-40页
        4.1.3 The Horizon of Murphy第40-43页
    4.2 The Analysis of the Three Versions of The Orphan of Zhao from the Perspective of Fusion of Horizons第43-65页
        4.2.1 The Analysis of Portrait of Characters第43-54页
        4.2.2 The Analysis of Theme第54-61页
        4.2.3 The Analysis of Artistic Characteristics第61-65页
CONCLUSTION第65-68页
BIBLIOGRAPHY第68-72页
ACKNOWLEDGEMENTS第72-73页
PAPER(S) PUBLISHED DURING MY STUDIES第73页

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