Chapter One Introduction | 第1-10页 |
Chapter Two Summarization of Translation Criteria | 第10-30页 |
·Core Problems | 第10-11页 |
·A Brief Summary of Different Views on Translation Criteria | 第11-26页 |
·Yan Fu’s “Faithfulness, Expressiveness, Elegance”vs. Tytler’s “Three Principles” | 第13-19页 |
·Translation Standards Focusing on Literary Translation | 第19-23页 |
·Fu Lei’s Translation Standard of “Resemblance in Spirit” | 第19页 |
·Qian Zhongshu’s Translation Theory of “Transmigration of the Souls” | 第19-20页 |
·Xu Yuanchong’s “Theory of Rivalry” | 第20-22页 |
·Creativity of Literary Translation | 第22-23页 |
·Equivalence | 第23-26页 |
·Criteria of Functionalism | 第26页 |
·Constraining Factors | 第26-30页 |
·Context | 第26-27页 |
·Equivalence | 第27-28页 |
·Reception, Translation Skopos and Target Culture | 第28页 |
·Translation Norms | 第28-30页 |
Chapter Three Harmonious Translation -----A New Translation Criterion | 第30-37页 |
·Theoretical Basis and Practical Value | 第30页 |
·Features of A Harmonious Translation | 第30-33页 |
·Aesthetic Harmony | 第31页 |
·Dialectical Harmony | 第31页 |
·Creative Harmony | 第31-32页 |
·Comprehensive Harmony | 第32页 |
·Universal Harmony | 第32-33页 |
·Complexity of Internal Relationships of Harmonious Translation | 第33-35页 |
·Harmonious Relation Between the Translator and the Original Text | 第33页 |
·Harmonious Relation Between the Translator and the Translated Text | 第33-34页 |
·Harmonious Relation Between the Original text and the Translated Text | 第34页 |
·Harmonious Internal Relationships of the Translated Text | 第34页 |
·Harmonious Relation Between the Translated Text and Readers | 第34-35页 |
·Nature of Harmonious Translation | 第35-37页 |
Chapter Four Application of Harmonious Translation | 第37-58页 |
·Treason and Harmony | 第37-40页 |
·Harmony and Re-creation | 第40-46页 |
·Dissimilation and Optimization | 第46-50页 |
·Dissimilation and Target Culture | 第46-48页 |
·Optimization | 第48-50页 |
·Harmony in Aesthetic Translation | 第50-58页 |
·Harmony at Phonological Level | 第50-52页 |
·Harmony at Lexical Level | 第52-56页 |
·Harmony at Artistic Level | 第56-58页 |
Chapter Five Conclusion | 第58-60页 |
Bibliography | 第60-62页 |