| 摘要 | 第1-3页 |
| Abstract | 第3-5页 |
| 中文文摘 | 第5-10页 |
| Introduction | 第10-16页 |
| Chapter One A Brief Review on Zhang Yimou's Artistic Conception | 第16-28页 |
| ·The Domestic Research on Artistic Conception of Zhang's Films | 第16-18页 |
| ·The Overseas Research on Artistic Conception of Zhang's Films | 第18-20页 |
| ·A General Survey of Zhang's Impression Series | 第20-28页 |
| ·Domestic Comments on IS | 第20-22页 |
| ·Overseas Comments on IS | 第22-23页 |
| ·Some Representative Interviews on IS | 第23-28页 |
| Chapter Two Rhetorical Symbols of Impression Series | 第28-34页 |
| ·Defining Rhetoric | 第28-29页 |
| ·Defining Impression | 第29-31页 |
| ·Rhetoric as an Effective Symbolic Art | 第31-34页 |
| ·Rhetoric and Symbol | 第31页 |
| ·IS as a Symbolic Action | 第31-34页 |
| Chapter Three Rhetoric Effect of Impression Series | 第34-44页 |
| ·In-depth Understanding of Rhetor and Audience | 第34-35页 |
| ·Persuasion and IS's RE | 第35-37页 |
| ·Perelman's Universal Audience | 第35-36页 |
| ·Verbal "Pressure" on Audience of IS | 第36-37页 |
| ·Identification and IS's RE | 第37-41页 |
| ·Burke's Identification | 第37-39页 |
| ·Nonverbal "Adaptation" to Audience of IS | 第39-41页 |
| ·Color/Nature-symbol Appeal:Visual and Scent RE | 第39-40页 |
| ·Music/Dance-symbol Appeal:Auditory and Touch RE | 第40-41页 |
| ·The RE of IS under "Persuasion" and "Identification" | 第41-44页 |
| Chapter Four A Case Study:Impression Dahongpao | 第44-50页 |
| ·Rhetorical Effect of ID | 第44-45页 |
| ·ID:An Exercise in Rhetorical Criticism | 第45-50页 |
| ·Rhetorical Criticism on the Discourse of ID | 第45-46页 |
| ·Rhetorical Criticism on the Symbols of ID | 第46-50页 |
| Conclusion | 第50-54页 |
| References | 第54-56页 |
| 攻读学位期间承担的科研任务与主要成果 | 第56-57页 |
| Acknowledgments | 第57-58页 |
| 个人简历 | 第58-59页 |
