Acknowledgements | 第1-5页 |
Abstract | 第5-6页 |
摘要 | 第6-7页 |
Contents | 第7-9页 |
Chapter One:Introduction | 第9-19页 |
·A Brief Survey of Chinese American Literature | 第9-10页 |
·An Introduction to Donald Duk,The Woman Warrior and Joy Luck Club and Their Writers | 第10-12页 |
·Donald Duk and Frank Chin | 第10-11页 |
·The Woman Warrior and Maxine Hong Kingston | 第11页 |
·Joy Luck Club and Amy Tan | 第11-12页 |
·Literature Review | 第12-17页 |
·Research Background | 第12-16页 |
·The Significance and the Innovations of this Thesis | 第16-17页 |
·Structure | 第17-19页 |
Chapter Two:Chinese American Writers' Cultural Translation and the Diasporic Perspective | 第19-43页 |
·Chinese Americans' Transcultural Writing---A Kind of Cultural Translation | 第19-21页 |
·Chinese American Writers' Traditional Perspectives and Their Cultural Translation | 第21-24页 |
·Chinese American Writers' Cultural Translation with the Perspective of Orientalism | 第21-23页 |
·Chinese American Writers' Cultural Translation with the Perspective of Dual Alienation | 第23-24页 |
·The Diasporic Perspective in Chinese American Writers' Cultural Translation | 第24-43页 |
·Diaspora and the Diasporic Perspective | 第25-27页 |
·Chinese American writers' Diasporic Perspective of Hybrid Recognition | 第27-30页 |
·Chinese American Writers' Cultural Translation from the Perspective of Hybrid Recognition | 第30-43页 |
·the "Chineseness" of Chinese American through Cultural Translation | 第30-35页 |
·the Hybridity of Chinese American Culture through Creative Translation | 第35-43页 |
Chapter Three:The Internal Focalization Applied in Chinese American Writers' Cultural Translation under the Diasporic Perspective | 第43-50页 |
·The Internal Focalization and the Diasporic Perspective | 第43-44页 |
·The Internal Focalization in the Three Chinese American Novels | 第44-50页 |
·Type B of Fixed Internal Focalization | 第44-47页 |
·Type A is changed to Type B within Fixed Internal Focalization | 第47页 |
·Type C of Fixed Internal Focalization | 第47-50页 |
Conclusion | 第50-51页 |
Bibliography | 第51-54页 |